International Journal of Culture and Art Studies
https://talenta.usu.ac.id/ijcas
<p style="text-align: justify;"><strong>International Journal of Culture and Art Studies</strong> (online) or International Journal of Cultural and Art Studies (print) abbreviated as IJCAS is an academic, open access, and peer-reviewed journal founded and first published in 2018 by TALENTA Publisher and organized by Talenta Publisher & <a href="http://fib.usu.ac.id/">the Faculty of Cultural Sciences</a>, <a href="https://www.usu.ac.id/">University of Sumatera Utara</a>, Indonesia. It welcomes full research articles in the field of humanities from the following subject area: macro & micro linguistics, traditional culture, oral tradition, literarure, history, tourism, local wisdom, etc.</p> <p style="text-align: justify;"> </p>Talenta Publisheren-USInternational Journal of Culture and Art Studies2623-1999An overview of Chinese and Indonesian adjective predicate to deepen understanding and translation
https://talenta.usu.ac.id/ijcas/article/view/17804
<p>Predicates are considered the center of sentences, and understanding them will help students understand the meaning of various utterances. A contrastive study between languages helps to understand the target language being studied. However, research on the contrast of Chinese and Indonesian predicates has not received enough attention. This paper focuses on a contrastive analysis of Chinese and Indonesian adjective-predicate sentences, namely the syntactic units that form the predicate and the related grammatical rules. The data in this study were Chinese and Indonesian adjective-predicate sentences from short stories, novels, and associated grammatical works. The data obtained were then analysed using the procedure described by James and the contrastive analysis method by Di Pietro. The results of the study show that Chinese and Indonesian predicates are similar in definition, but differ in the internal structure. The fundamental difference is that bare adjectives in Chinese sentences are used only in comparative contexts. In addition, some Indonesian adjective-predicate sentences must be added with “<em>adalah</em>” or demonstrative pronouns between the subject and predicate. While the equivalent in Mandarin is the verb “<em>shi</em>”, and sentences whose predicates are added with verbs will become verbal sentences. These findings will undoubtedly contribute to the understanding of Chinese language learners from Indonesia and are expected to provide input and references in the field of translation.</p>Ayu Trihardini
Copyright (c) 2025 Ayu Trihardini
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2025-10-312025-10-31929010310.32734/ijcas.v9i1.17804The dynamics of the development of canang kayu musical instruments in the Aceh Singkil community
https://talenta.usu.ac.id/ijcas/article/view/20878
<p>This study discusses the dynamics of the development of canang kayu musical instruments in the Aceh Singkil community. Canang kayu, which initially served as a traditional musical instrument in rituals and religious activities, has undergone changes in form, function, and context of use over time. Using a descriptive qualitative approach through observation, interviews, and documentation, this study was analyzed based on Herkovits' Theory of Change. The results of the study indicate that the Canang Kayu musical instrument has undergone changes in its aesthetic subjects, objects, and ethics. These changes can be seen in the number of notes and in the player's position at formal events and traditional ceremonies. Despite the changes, Canang Kayu continues to uphold the values of local culture and the identity of the Aceh Singkil community.</p>Junaidi PurbaVanesia Amelia SebayangYusnizar Hennywaty
Copyright (c) 2025 Junaidi Purba, Vanesia Amelia Sebayang, Yusnizar Hennywaty
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2025-10-312025-10-319210410910.32734/ijcas.v9i2.20878The ratib samman ritual and its social function in the Sei Paham community, Sei Kepayang district
https://talenta.usu.ac.id/ijcas/article/view/18134
<p>The Ratib Samman ritual is a highly popular tradition among the people of Sei Paham, Sei Kepayang District, and it has socially important functions. The purpose of this research is to reveal the social function of the Ratib Samman Ritual of Sei Paham Community, Sei Kepayang District. This research method is qualitative with data collection techniques through interviews, observations and document studies. Research activities are directed to find social facts that are happening in accordance with existing reality. The results of the study show that the community does not know when this ritual is interpreted as a practice of zikr and to get closer to oneself. Zikr as a Religious Tradition and Art in Sei Kepayang Village. The social function of the Ratib Samman ritual is as a form of solidarity and social integration, as well as a means of overcoming various problems that arise in the form of epidemics or diseases, famine, crime, and disturbances from supernatural beings.</p>Rahma Hayati HarahapAudey Ichwan Faried Wijaya
Copyright (c) 2025 Rahma Hayati Harahap, Audey Ichwan Faried Wijaya
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2025-10-312025-10-319211011610.32734/ijcas.v9i2.18134Collocations of effective and efficient in COCA: A corpus analysis
https://talenta.usu.ac.id/ijcas/article/view/22811
<p>This corpus-based study analyses two adjectives often perceived as synonymous, <em>effective</em> and <em>efficient</em>, by examining their collocations and formality levels in the Corpus of Contemporary American English (COCA). A qualitative content analysis was applied to 400 concordance lines, evenly divided between the two adjectives. The analysis involved selecting content, categorising data, developing coding rules, coding texts, and interpreting results. Collocational structures such as adjective + preposition, adjective + to-infinitive, adjective + that-clause, adverb + adjective, and adjective + noun were identified. The findings show that <em>effective</em> frequently collocates with nouns related to outcomes and appears predominantly in formal contexts, especially academic writing. In contrast, <em>efficient</em> commonly collocates with nouns related to processes and is used more flexibly across genres, including blogs and magazines. Grammatically, <em>effective</em> often combines with the prepositions <em>in</em> and <em>at</em>, while <em>efficient</em> shows greater variety and frequently occurs in to-infinitive and that-clause constructions. The study concludes that <em>effective</em> and <em>efficient</em> have distinct collocational patterns, grammatical behaviours, and degrees of formality, making them not fully interchangeable in all contexts.</p>DelianaAmanda Fransisca Gultom
Copyright (c) 2025 Deliana, Amanda Fransisca Gultom
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2025-10-312025-10-319211712610.32734/ijcas.v9i2.22811The effect of service quality and location on tourist satisfaction in Denai Lama tourism village, Deli Serdang regency
https://talenta.usu.ac.id/ijcas/article/view/22787
<p>This study aims to analyze the influence of service quality and location on tourist satisfaction in Denai Lama Tourism Village, Deli Serdang Regency. The background of this research is based on the importance of sustainable management of community-based tourist destinations in increasing the competitiveness and loyalty of tourists. This study employs a quantitative descriptive approach, utilizing a survey method with 80 tourists who visited Denai Lama Tourism Village. The results of the multiple linear regression analysis showed that the variables of service quality (X₁) and location (X₂) had a significant effect on tourist satisfaction (Y), accounting for 84.2% of the contribution. These findings confirm that friendly, fast, and communicative services, as well as strategic and easily accessible locations, are the dominant factors that affect the level of satisfaction among tourists. This research offers practical implications for tourism village managers to enhance service standards and location governance, thereby maintaining visitor loyalty and ensuring the sustainability of tourist destinations.</p>Mustafa Kamal
Copyright (c) 2025 Mustafa Kamal
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2025-10-312025-10-319212713110.32734/ijcas.v9i2.22787Changes in the structure and style of gondrang in Simalungun musical tradition
https://talenta.usu.ac.id/ijcas/article/view/20877
<p><em>Gondrang</em> is one of the most important musical ensembles in the Simalungun tradition, originally serving as sacred accompaniment in ritual contexts, particularly funerary ceremonies. Previous studies have largely focused on the social and cultural transformations of <em>Gondrang</em>, while the specific changes in its musical structure and style have not been analyzed in depth. This study aims to describe and analyze the internal musical changes of <em>Gondrang</em>, including its instrumentation, rhythmic organization, ensemble formation, melodic orientation, ornamentation, and performance expression. Employing a qualitative ethnomusicological approach, the research is based on observation of performances, interviews with musicians and cultural elders, and audio-visual documentation. The results show that <em>Gondrang</em> has experienced structural changes such as the addition of modern instruments and flexible ensemble settings, and stylistic changes including faster tempos, melodic expansion, ornamented improvisation, and more expressive performance gestures. Despite these changes, core rhythmic patterns and symbolic identity have been preserved. This study contributes to ethnomusicology by highlighting the internal dynamics of musical change, showing how <em>Gondrang</em> adapts to modern contexts while maintaining its cultural essence.</p>Ricky Nelson
Copyright (c) 2025 Ricky Nelson
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2025-10-312025-10-319213213810.32734/ijcas.v9i2.20877Decoding community murals as visual representations of multiculturalism in Suryatmajan tourism kampong
https://talenta.usu.ac.id/ijcas/article/view/21137
<p>Community murals, as participatory public art projects, express local identities and cultural influences within society. Situated in the heart of Yogyakarta, the community mural in Suryatmajan tourist village conveys a visual message about unity in diversity while promoting a multicultural ideology. Therefore, this study aims to analyze the signs on these community murals as visual representations of multiculturalism. Employing Roland Barthes' semiotic analysis, this research decodes the signs and layered meanings in four murals placed at the different entrance gates. These murals visually represent four distinct cultural influences, from local to global: Javanese, Chinese, Japanese, and American (popular culture). These cultural influences are identified through images of prominent figures or icons associated with each culture. They generate denotative and connotative meanings for each mural according to its story. As a manifestation of community engagement, the diversity in this mural representation reflects social conditions, cultural history, and residents' preferences. These murals also demonstrate the community's tolerance for cultural differences and foster multiculturalism. By prioritizing the value of harmony (<em>guyub</em>), Suryatmajan tourism kampong emphasizes unity in cultural diversity as a mural narrative. This research concludes that the community mural in tourism kampong is more than simply decoration; it serves as a collective expression, attracts tourists, and fosters multiculturalism within the society.</p>Kristian OentoroYan Yan SunaryaAdhi NugrahaMuhammad Ihsan
Copyright (c) 2025 Kristian Oentoro, Yan Yan Sunarya, Adhi Nugraha, Muhammad Ihsan
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2025-10-312025-10-319213914910.32734/ijcas.v9i2.21137