2026-05-11T14:41:11Z https://talenta.usu.ac.id/ijcas/oai

oai:pub.talenta.usu.ac.id:article/449 2024-02-28T12:07:51Z ijcas:ART driver

Indian Contribution to Language Sciences in Non-Western Tradition: With Reference to Arabic Rangkuti, Rahmadsyah Hasnain, S. Imtiaz Indian Contribution Non Western Tradition Arabic Ontology Epistemology Language study relates itself to both ontology and epistemology. Both ontological and epistemological investigations have been the subject of debate and discussion in different civilizations producing a number of grammatical traditions other than the West. Arab, China, India and the ancient Near East can also boast of language traditions of greater antiquity. In terms of richness of insight and comprehensiveness of scope, both India and the Arab compete on equal terms with the West, where each grew independently of the others and for the most part developed separately, drawing on the resources of the culture within which it grew. Hence, there is strong need to have a study of comparative grammatical theory to which Indian, Arabs and Chinese also belong, centring on the questions of: What has been the importance of these theories explanatory categories appear in historically unrelated linguistic theory, and if they do, why? This perspective would bring new dimension to the study of linguistic theory and would not remain at the level of redressing the overwhelming emphasis on the European tradition in the study of history of linguistics. Talenta Publisher 2018-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/449 10.32734/ijcas.v1i1.449 International Journal of Culture and Art Studies; Vol. 1 No. 1 (2018): International Journal of Cultural and Art Studies (IJCAS); 11-18 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/449/294 Copyright (c) 2018 Rahmadsyah Rangkuti, S. Imtiaz Hasnain https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/450 2024-02-28T12:07:51Z ijcas:ART driver

Assessing the Process Not Just the Message: A Cursory View of Student Assessment Amalia, Liza Bustos, Jacki writing process student writing assessment Knowing the tremendous importance of the grade, we spent several weeks discussing, researching, and writing about the process of assessing student work. As we evaluated the written work of Claire Evelyn, an eighteen-year-old, second-semester freshman enrolled in ENGL 112, Composition and Literature, at a regional campus in Ohio, we were able to balance the enormous weight of assessing Evelyn’s work with the growing confidence in our skills. Our confidence stemmed from reading, understanding, and applying the composition theory found in our collaborative research. The particular assignment that we are assessing includes a unit of writing comprised of a final portfolio, dialogue journal, and Evelyn’s reflective letter. We will discuss the general justification and reasoning of our assessment based on the theory of process grading, rubrics, and of course, Evelyn’s written text. After some deliberation and through the use of the rubric we established, we settled on a C+ for Claire. As we began this research, our initial reaction was to grade the final draft without taking into account the other materials. Upon further discussion and research, we collectively decided to broaden our scope and include the reflection journal and the dialogue letters. By extending the text beyond one draft, we were able to give her a grade more fitting for the scope of her writing. Talenta Publisher 2018-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/450 10.32734/ijcas.v1i1.450 International Journal of Culture and Art Studies; Vol. 1 No. 1 (2018): International Journal of Cultural and Art Studies (IJCAS); 19-27 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/450/295 Copyright (c) 2018 Liza Amalia, Jacki Bustos https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/451 2024-02-28T12:07:51Z ijcas:ART driver

Intimate Language Variety in Animation Movie of Danshi Koukousei no Nichijou by Yasunobu Yamauchi Pujiono, Mhd. Taulia, Taulia Mohamed, Noriah Animation Movie Intimate Language Variety Language Variety Sociolinguistic This research elaborates language variety particularly in intimate language in Japanese animation movie Danshi Koukousei no Nichijou Episode Joshi Kousei wa Ijou High School Girls are Funky, the work of Yasunobu Yamauchi. In order to reveal the intimate language variety, Tomisaka theory was used (1997) which highlights about the change in noun and sentence within intimate language variety. The method utilized was descriptive qualitative. The result of this research is the finding of language variety such as noun and verb change and particle omission in sentences in that animation movie. Talenta Publisher 2018-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/451 10.32734/ijcas.v1i1.451 International Journal of Culture and Art Studies; Vol. 1 No. 1 (2018): International Journal of Cultural and Art Studies (IJCAS); 1-10 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/451/293 Copyright (c) 2018 Mhd. Pujiono, Taulia Taulia, Noriah Mohamed https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/452 2024-02-28T12:07:51Z ijcas:ART driver

The Maritime Historical Background Of Bogak Port (8-20 Century), Tanjung Tiram District, Batubara Regency, North Sumatera Province Hati, Lila Pelita Harahap, Fitriaty ., Suprayitno Saidin, Mokhtar cultural heritage boat ancient port On January 2008 in the bank of the Bogak Beach, in the front of Fisherman Housing, Dusun XII Bogak Village, Tanjung Tiram District, Batubara Regency, North Sumatera Province found a boat. It was already researched that it was a heritage and related to that area in 18 century, and in that era was trade lines witches’ traders and fishermen from foreign countries sailed to Sumatera. Not only boat but also found Chinese ceramic and coins in 1734, 1752, 1760, 1780, 1781, 1788 and 1790 years.  This paper tries to describe the role of Pantai Bogak Port at 18th Century until 20th Century in the east coast maritime, and to research the archaeological and historical resources in Tanjung Tiram Regency; to look for the authenticity from Batubara Regency, North Sumatera Province. It could be proud Indonesia, and give a horizon about the activities and the cultural human history in 18th century until 20th century.The data was from collecting data observation in the field, and to analysis data then to give recommendation. The information process is from collecting data about historical data and the archaeological data, and the collecting data was also used from the primer data through observation. The secondary data was from rapport, inventories register, study result, and from libraries. Talenta Publisher 2018-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/452 10.32734/ijcas.v1i1.452 International Journal of Culture and Art Studies; Vol. 1 No. 1 (2018): International Journal of Cultural and Art Studies (IJCAS); 28-35 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/452/296 Copyright (c) 2018 Lila Pelita Hati, Fitriaty Harahap, Suprayitno ., Mokhtar Saidin https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/453 2024-02-28T12:07:51Z ijcas:ART driver

Languages in Contact : A Study of Arabic Loanwords in Malay/Indonesian Language Mulyani, Rozanna Noor, Noordin Mohd language contact Arabic language Malay language This paper discusses the contact language between Malay and Arabic language. Objectives of the study are to look into the similarities etymology of the two countries national language. This paper will implement qualitative analysis which is based on discussions and comparison. The results of this study show that cultural contact especially the reach of Islam in Southeast Asia results in linguistic contact. Linguistic borrowing in most cases exhibits as a response to language borrowing. A number of motivations stand behind the phenomenon of borrowing. As a result of cultural and linguistic contact between Malay language as a lingua franca of the region in the early days and Arabic languages so many Arabic words absorbs into Malay languages. Talenta Publisher 2018-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/453 10.32734/ijcas.v1i1.453 International Journal of Culture and Art Studies; Vol. 1 No. 1 (2018): International Journal of Cultural and Art Studies (IJCAS); 36-40 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/453/297 Copyright (c) 2018 Rozanna Mulyani, Noordin Mohd Noor https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/772 2024-02-28T12:08:07Z ijcas:ART driver

The Meaning of Traditional Households in Simalungun Language Surip, Muhammad Pujiono, Mhd. Dewi, Nora Ronita Households Traditional Batak Simalungun This study is aimed to describe the component of meaning, the role of semantic traditional household appliances in Batak Simalungun language. Qualitative descriptive method is used in this research. The data are words that contain the meaning field of traditional household appliances in Batak Simalungun language by using noted techniques. The sources of data are Simalungun Batak language spoken by native speakers. Besides 24 kinds of lexical and collocative meaning, the results of the research are also shown some traditional household appliances in Batak Simalungun language, there are: 6 household tools which is made of woven, 8 are made of wood, 6 are made of metal, 3 are made of stone, and 1 is made of yarn.   Talenta Publisher 2019-04-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/772 10.32734/ijcas.v2i1.772 International Journal of Culture and Art Studies; Vol. 2 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS) ; 20-29 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/772/578 Copyright (c) 2019 Muhammad Surip, Mhd. Pujiono, Nora Ronita Dewi https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/803 2024-02-28T12:08:07Z ijcas:ART driver

Ideology and Class Division in Veronica Roth’s Divergent Wardana, Muhammad Kiki Roy, Sumita Divergent Ideology Aptitude Test The Choosing Ceremony Class Division Faction The paper attempts to overview the ideology and the class division amongst factions in the novel. The ideology of the five factions in the future city of Chicago is embedded with self traits which dictates that everyone must fit into one dominant trait. The classification by traits or personalities makes clear provision that society will run as it is expected by the leader of the faction.  The Divergent of Veronica Roth postulates the depiction of the utopia society that turns Dystopia by the insurgent led by Tris a character that possesses all the qualities and traits of the faction.  The culture and the ideology of bourgeois and slave’s society prevail vividly in the novel which is indicated by the ruling faction, Erudite as the bourgeois while the subjugated faction, Abnegation as the slave society. This paper utilizes the descriptive approach to meticulously break down the events by selecting and highlighting the occurrences in the novel as the way of obtaining the data. The theory of ideology by Raymond Williams (1977) was used in this paper to expose the core or base of cultural ideology amongst the classes. The paper finds out that the every faction has its own ideologies even though they were rooted from the same founding fathers. Talenta Publisher 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/803 10.32734/ijcas.v2i1.803 International Journal of Culture and Art Studies; Vol. 2 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS) ; 30-37 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/803/580 Copyright (c) 2019 Muhammad Kiki Wardana, Sumita Roy https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/812 2024-02-28T12:08:07Z ijcas:ART driver

The Devoicing Intensity of Vowels [I] and [Ɯ] in Japanese Language Siti Muharami Malayu Muliadi, Yuddi Adrian Intensity of vowel Japanese Japanese Language Learners The research analyzed the intensity of devoicing vowels [i] and [ɯ] in Japanese language by its learners. The research used theory of Accoustic Phonetics with Praat Program to measure the intensity of vowels [i] and [ɯ]. It analyzed 6 target words uttered by two Japanese Language Learners. A native Japanese speaker was used as the utterance model. It began with recording the voice of the learners in Medan. The research problem was how the intensity of the devoicing of vowels [i] and [ɯ] in the first syllable uttered by Japanese Language learners in Medan. The findings, based on Praat analysis with intensity measurement, showed that the intensity of the devoicing of vowels [i] and [ɯ] in the first syllable uttered by the four Japanese Language learners was not maximal. Talenta Publisher 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/812 10.32734/ijcas.v2i1.812 International Journal of Culture and Art Studies; Vol. 2 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS) ; 1-19 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/812/576 Copyright (c) 2019 Siti Muharami Malayu, Yuddi Adrian Muliadi https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/938 2024-02-28T12:08:07Z ijcas:ART driver

Low Malay Language as A Stimulant for Bahasa Indonesia Development Novika Stri Wrihatni Sutami, Hermina conversation low malay marginalized romance short stories Bahasa Indonesia, which is the national and official language in Indonesia, is the result of the development of the High Malay Language (High Malay) in Riau. As the language used in the literature published by Balai Pustaka, the High Malay is respected as a language that is higher; than other languages used by the people of the Archipelago in the period before Indonesian independence in 1945. One of the lower languages is Low Malay Language (Low Malay). Some literary works written in this language were printed by printing presses belonging to individuals consisting of indigenous and Chinese groups. The Low Malay style was used in writing romance to make the stories feel more alive. This language of conversation should be counted as one type of language that contributes to the Indonesian language. The range of its uses is vast. However, with the development of politics in Indonesia, the Low Malay is once again marginalized. The language now only lives in conversation, yet it remains alive and developed along with the development of the times and the many influences of foreign languages on Indonesian language. Talenta Publisher 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/938 10.32734/ijcas.v2i1.938 International Journal of Culture and Art Studies; Vol. 2 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS) ; 38-53 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/938/581 Copyright (c) 2019 Novika Stri Wrihatni, Hermina Sutami https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/948 2024-02-28T12:08:07Z ijcas:ART driver

Stepping Out of The Cultural Identity: A Critical Analysis of Cathy Song’s Memory Poetry Setia Sari, Winda memory poetry cultural identity imagery Cathy Song, a Chinese-Korean ancestry woman poet, grew up in Hawaii, America. In “What Belongs to You”, a poem taken from her second poetry publication, she chronicles the memory of a child who is trapped between her dream and devotion. The theme of the poem is portrayed in a strong poetic devices. The poems lean in vivid visual imageries to evoke to the poet’s life memory. The speaker of What Belongs to You dreams of having the freedom and attempts to escape from her parental tie. Ironically, she finds herself devote to her family and tradition. The poems use past materials ranging from domestic domain and landscape which define the speaker’s personal memory. Comparing than Cathy’s Song first poetry publication, arguably, the cultural materials in the poem cannot be traced through Song’s poetic devices as an ethnic woman poet. In fact, song locates the dream and devotion in visual imageries and nostalgic tones in a general way. This is true; Song has denied herself as a cultural visionary. Song merely mines the memory from the point of view and identity of a woman, leaving her cultural traits behind. Talenta Publisher 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/948 10.32734/ijcas.v2i1.948 International Journal of Culture and Art Studies; Vol. 2 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS) ; 54-59 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/948/582 Copyright (c) 2019 Winda Setia Sari https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/1390 2024-02-28T12:08:45Z ijcas:ART driver

Contrastive Analysis between Chinese and Indonesian Phonology and Implementation on Conversation Class Sukarto, Aprilia Ruby Wikarti Renata, Elizabeth Moira, Silvia Contrastive Analysis Phonology Mandarin Conversation This study aims to find out the phonological characteristics of Indonesian Language and Mandarin language, their impact and application in learning Chinese conversations. This study will use descriptive comparative methods and surveys. Based on the data obtained, there are differences in the pronunciation of single Indonesian and Chinese vowels, namely vowel [y], [É£], [i]. Mandarin has triftong, which is [iou], [iao]. The consonants of Indonesian and Mandarin have similarities, but the pronunciation is different. The consonant of Indonesian is not distinguished from no aspirations and aspirations, based on no voices and voices. In suprasegmental features, such as tons, intonation, pressure, pauses, Mandarin is one of the tonal languages, whereas Indonesian is not a tonal language. In Indonesian, the pressure functions to distinguish meaning in the sentence level, but does not distinguish meaning at the word level. Whereas in Mandarin, the pressure is divided into word pressure and sentence pressure. In Indonesian, intonation plays an important role when distinguishing the meaning of sentences. Whereas in Mandarin, the rules for pronunciation of intonation are not strict. Pause in Indonesian and Mandarin, marked by the use of signs. The results of this study can help teachers determine and use appropriate learning techniques so that they can help, facilitate the needs, demands, and goals of students in pronunciation.   Talenta Publisher 2019-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/1390 10.32734/ijcas.v3i1.1390 International Journal of Culture and Art Studies; Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS); 1-14 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/1390/1452 Copyright (c) 2019 Aprilia Ruby Wikarti Sukarto, Elizabeth Renata, Silvia Moira https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/1661 2024-02-28T12:08:45Z ijcas:ART driver

Issues on Arabic Scriptures in Malay/Indonesia Language: A Study of its Contributions in the Development of Regional Culture, Language & Literature Literacy Kembaren, Mardiah Mawar Noor, Noordin Mohd Lubis, M. Husnan Arabic scriptures Malay Arabic Spelling Literacy This paper touches on the important role of Islam in Malay literature and culture   literacy, in the region. Malay literary and cultural treasures that were originally oral traditions have changed after the local community has embraced the teachings of Islam that bring along the Arabic scripture or Arabic writing system. This system of Arabic writing has greatly influenced Malay literature and culture. This paper therefore explores academically the role, contribution and discussion regarding the future of Arabic Scripture in the region. It would not be too much to say that it was the Arabic writing system that made the Malay community illiterate. This paper is expected to benefit not only to those who study literature and linguistic but for those with a background in Islamic studies too to study the regional literature and culture, especially those related to Malay studies. Talenta Publisher 2019-10-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/1661 10.32734/ijcas.v3i1.1661 International Journal of Culture and Art Studies; Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS); 15-21 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/1661/1770 Copyright (c) 2019 Mardiah Mawar Kembaren, Noordin Mohd Noor, M. Husnan Lubis https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/2514 2024-02-28T12:08:45Z ijcas:ART driver

Illocutionary Acts in President Rodrigo Duterte’s Speech. Wardana, Muhammad Kiki Roy, Sumita Ariska, Juan Pragmatic, Speech act, John Searle’s Theory, Perlocutionary act Illocutionary act. This research attempts to figure out the speech act of President of The Republic of The Philippines, Rodrigo Duterte, particularly in identifying types of the Illocutionary act and Perlocutionary act in SONA Forum. The researcher is keen to explore duterte’s speech because Duterte is notorious for his unfavorable remarks. Therefore, by investigating his speech through the analysis of his speech act in the selected speech, the researcher will prove whether the speech contains the perlocutionary acts of insulting or not. This research also focuses on utilizing Searle’s theory on Illocutionary acts exemplifies 5 different types of illocutionary acts namely Assertive which is divided into stating, suggesting, boasting, complaining and claiming. Another type is Directives which comprises of ordering, commanding, requesting, advising and recommending. Expressive type comprises thanking, congratulating, pardoning, blaming, praising, and condoling. Commisive type includes promising, vowing, and offering. The last type is Declaration. The researchers use descriptive qualitative method by doing transcription of the speech and meticulously analyze every word. Talenta Publisher 2019-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/2514 10.32734/ijcas.v3i1.2514 International Journal of Culture and Art Studies; Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS); 40-46 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/2514/2055 Copyright (c) 2019 Muhammad Kiki Wardana, Sumita Roy, Juan Ariska https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/2623 2024-02-28T12:08:45Z ijcas:ART driver

The Factors in the Emergence of Smallholder Rubber Plantation in Tapanuli: 1906 - 1942 Edi Sumarno Ginting, Junita Setiana Karina, Nina Lubis, M. Azis Rizky Factor Land Capital Laborer Market Latex has become more useful ever since the discovery of vulcanization methods, for it is used for the automotive industry and the manufacturing of electrical appliances. This then makes the price of latex soar as a result of high market demand for this white sticky thick ‘liquid’. Thus, it makes people interested in investing in rubber plants because they are considered to have a significant economic impact. Apart from the economic factors offered, there are other factors that are no less important, namely land, capital, laborer, and the existence of a market place for trade. These factors should be the main factors. Because, if these factors do not hold, the people in Tapanuli will still not be able to enjoy it however high the price of rubber is. Talenta Publisher 2019-10-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/2623 10.32734/ijcas.v3i1.2623 International Journal of Culture and Art Studies; Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS); 22-29 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/2623/2004 Copyright (c) 2019 Edi Sumarno, Junita Setiana Ginting, Nina Karina, M. Azis Rizky Lubis https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/2673 2024-02-28T12:08:45Z ijcas:ART driver

Neko ‘Cat’ in Japanese Idioms (Meaning and Figure of Speech Analysis) Gapur, Abdul Taulia Pujiono, Mhd. Neko Figure of Speech Japanese Idioms Generally, idioms are formed with words related to the sense of taste, human body, color, numbers, growth, natural objects and animals. In this study, a Japanese idiom that is formed from neko ‘cat’ is discussed. This study is a qualitative research that aims to find out the lexical and idiomatical meaning of the idiom containing word neko and the figure of speech. The data are idioms with the word neko in 101 Japanese Idioms by Michael L. Maynard, and website (https://dictionary.goo.ne.jp). The results are that 13 idioms that use neko. Some idioms have a difference between lexical and idiomatic meaning. However, there is a link between the lexical and idiomatical meaning with the cultural and historical approach of the lexical used. Data contained in the 8 figure of speech Metaphor, namely neko mo shakushi mo (猫 も 杓 子 も), neko ni koban (猫に小判), neko no hitai (猫の額), neko ni matatabi (猫にまたたび), neko in katsuobushi (猫に鰹節), neko no kubi ni suzu o tsukeru (猫の首に鈴を付ける), neko no ko ippiki inai (猫の子一匹いない), neko o koroseba shichidai tataru (猫を殺せば七代祟る. Then 5 figure of speech are included in metonymy, namely neko no te mo karitai (猫の手も借りたい), neko o kaburu (猫 を か ぶ る), karite kita neko (借りてきた猫), neko o ou yori sakana o noke yo (猫を追うより魚をのけよ), and neko o ou yori sara o hike (猫を追うより皿を引け). Talenta Publisher 2019-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/2673 10.32734/ijcas.v3i1.2673 International Journal of Culture and Art Studies; Vol. 3 No. 1 (2019): International Journal of Cultural and Art Studies (IJCAS); 30-39 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/2673/2044 Copyright (c) 2019 Abdul Gapur, Taulia, Mhd. Pujiono https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/3620 2024-02-28T12:08:58Z ijcas:ART driver

The Identity Issue of the Colonized and the Colonizer in Cloud Nine by Caryl Churchill Putri, Liza Clayton, Katherine Identity Issues Colonialism Post-Colonial Literature One of the significant points in post-colonial literature is identity issues. The analysis of these identity issues should be focused not only on the colonized character but also the colonialist. It is obvious why post-colonial scholars are concerned with the colonized as they are the victims of colonialism. However, the colonizer must also face complex issues of identity when arriving in the colonial place. The purpose of this article is to examine the identity issues undergone by Joshua, the colonial subject, and by Clive, the colonizer, with reference to Cloud Nine by Caryl Churchill in the colonial period. The concept of hybridity by Homi Bhabha can explain the issue of Joshua’s identity since he has “double” portrays of the identity as legacy of colonialism. Bhabha created the terms the “third space” or the “in-between” to describe the condition of the colonized people. Clive as the colonizer used to be a person without particular authority in his own country before arriving to the colonial land. Suddenly, his identity has shifted into someone who has privileges and authority. The colonizer’s identity is not complete without the colonized. The colonized and the colonizer depend on each other. The colonized and the colonizer’s identities will be fragmented if one of them is missing. Talenta Publisher 2020-04-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/3620 10.32734/ijcas.v4i1.3620 International Journal of Culture and Art Studies; Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS); 1 - 8 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/3620/2705 Copyright (c) 2020 Liza Putri, Katherine Clayton https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/3671 2024-02-28T12:08:58Z ijcas:ART driver

Contemporary Discourse and the Oblique Narrative of Avant-gardism in Twentieth-Century Nigerian Art Akapng, Clement Art Aesthetics Avant-Garde Contemporary Modernism Nigeria Twentieth Century The history of Twentieth Century Nigerian art is characterized by ambiguities that impede understanding of the underlying modernist philosophies that inspired modern art from the 1900s. In the past five decades, scholars have framed the discourse of Contemporary Nigerian Art to analyze art created during that period in Africa starting with Nigeria in order to differentiate it from that of Europe and America. However, this quest for differentiation has led to a mono-narrative which only partially analyze modernist tendencies in modern Nigerian art, thus, reducing its impact locally and globally. Adopting Content Analysis and Modernism as methodologies, this research subjected literature on Twentieth Century Nigerian art to critical analysis to reveal its grey areas, as well as draw upon recent theories by Chika Okeke-Agulu, Sylvester Ogbechie, Olu Oguibe and Okwui Enwezor to articulate the occurrence of a unique Nigerian avant-gardism blurred by the widely acclaimed discourse of contemporary Nigerian art. Findings reveal that the current discourse unwittingly frames Twentieth Century Nigerian art as a time-lag reactionary mimesis of Euro-American modernism. This research contends that such narrative blocks strong evidences of avant-garde tendencies identified in the works of Aina Onabolu, Ben Enwonwu, Uche Okeke and others, which exhibited intellectual use of the subversive powers of art for institutional/societal interrogation. Drawing upon modernist theories as a compass for analyzing the works of the aforementioned, this paper concludes that rather than being a mundane product of contemporaneity, Twentieth Century Nigerian art was inspired by decolonization politics and constituted a culture-specific avant-gardism in which art was used to enforce change. Thus, a new modern art discourse is proposed that will reconstruct Twentieth Century Nigerian art as an expression of modernism parallel to Euro-American modernism. Talenta Publisher 2020-04-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/3671 10.32734/ijcas.v4i1.3671 International Journal of Culture and Art Studies; Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS); 9-23 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/3671/2706 Copyright (c) 2020 Clement Akapng https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/3720 2024-02-28T12:08:58Z ijcas:ART driver

Logical Relations Used in Anak Boru Saninain Simalungun Wedding Ceremony Purba, Nurhasanah Logical Relation Anak Boru Sanina Wedding Ceremony The aims of this study is to find out the types of logical relations and the use of logical relations Anak Boru Sanina (ABS) in Simalungun wedding ceremony. This study was conducted by applying descriptive qualitative method. The source of data was taken from the utterances of Anak Boru Sanina (ABS) in Simalungun wedding ceremony. The result of this research was types of logical relations can be found in Anak Boru Sanina (ABS) are paratactic enhancement (34.78 %), hypotactic enhancement (30.43%), paratactic extension (14.49 %), paratactic elaboration (11.59%), hypotactic elaboration (4.34 %), hypotactic extension (2.89 %), and paratactic locution (1.44 %). Only seven of ten types of logical relations found in Anak Boru Sanina (ABS) utterances meanwhile three types that are missing are hypotactic locution, paratactic idea and hypotactic idea, because these types concern the relation between a mental or verbal clause and the content which its quotes or reported. Talenta Publisher 2020-04-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/3720 10.32734/ijcas.v4i1.3720 International Journal of Culture and Art Studies; Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS); 31-41 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/3720/2708 Copyright (c) 2020 Nurhasanah Purba https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/3793 2024-02-28T12:08:58Z ijcas:ART driver

The Role of Mandarin in Indonesia's Tourism Sector Adi, Dian Prasetyo Rinada, Ayu Mastery of Mandarin language culture tourism Indonesia is well-known for its natural beauty and cultural diversity. This becomes an extraordinary attraction for Indonesian tourism sector in which the government has also put their attention to. Tourists from others counties like to visit Indonesia. They speak in many international languages, include Mandarin. However, there are still fewer human resources who respond to it. The skill that must be possessed to prepare and improve a good image for tourists is the mastery of Mandarin. Tourism agencies who should have mastered Mandarin include travel agents, hotel employees, tour guides, and tourism practitioners. The minimum target for mastering Mandarin languages covers: simple conversations related to the work done, as well as the mastery of basic grammar and conversations. The mastery of Mandarin, as well as the understanding of the culture of Chinese tourists, is expected to provide maximum service and to create a good impression or image that improves the Indonesian tourism industry. Talenta Publisher 2020-04-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/3793 10.32734/ijcas.v4i1.3793 International Journal of Culture and Art Studies; Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS); 24-30 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/3793/2707 Copyright (c) 2020 Dian Prasetyo Adi, Ayu Rinada https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/3848 2024-02-28T12:08:58Z ijcas:ART driver

Possessive Expressions in Javanese Kamilatun Baroroh Mulyadi, Mulyadi Expressions Expression of Possessive Relationships Possessive Construction This study aims to describe the characteristics of Possessive Construction in Javanese and relations of expressions between Possessor (PR) and Possessum (PS). The source of data are texts in Javanese from Djaka Lodang Magazine Volume XXII, XXIV, XXIX year 2017 and Panjebar Semangat Magazine Volume 29, 19, and 20 from May until July 2018 which contains Possessive Constructions in Javanese also informant who is a native speaker of Javanese. The data are analyzed using Simak Method, with base Sadap technic and advance Simak-Bebas libat cakap technic and Catat technic, meanwhile technic for analyzing the data used are Agih Method to determine the Possessive Construction dan Padan Method to determine the relation between PR and PM elements. Javanese Possessive Constructions marked with clitics -e or ­-ne as possessive marker. The results show Javanese Possessive Constructions meaning exists at polymorphemic level, phrase level, and clause level. On polymorphemic level, possessive meaning expressed by nouns followed by enclitics persona pronoun. On Phrase level, possessive meaning expressed by noun which followed by noun persona and noun followed by noun. Persona pronoun acts as PR. Noun which acts as PR are (Ilahi), animal, plants and (concrete) noun. On clause level possessive meaning expressed by verb which occupy predicate (P). Noun occupying subject in clause recognized as possession (PM). In Javanese, it is found Possessive Construction which sates the relationship of proprietary in the form of; Possessive Construction in which PM elements is non-humane noun and PR elements is humane noun or persona pronoun, PM element is humane noun and PR element is humane (self-name) or persona pronoun, and PM element is non-living noun and PR element also non-living noun. Talenta Publisher 2020-04-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/3848 10.32734/ijcas.v4i1.3848 International Journal of Culture and Art Studies; Vol. 4 No. 1 (2020): International Journal of Cultural and Art Studies (IJCAS); 42-53 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/3848/2709 Copyright (c) 2020 Kamilatun Baroroh, Mulyadi Mulyadi https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/3981 2024-02-28T12:09:13Z ijcas:ART driver

The Role of Jayengrana in the Golek Rod Puppet Show During Javanese Succession War Septarina, Sri Wahyuning Artayasa, I Nyoman Jayengrana Golek Puppet Show Javanese The second Javanese succession war began after Pakubuwono I and the Company won the first Javanese succession war. Jayengrana struggling together with the descendants of the Sultan of Mataram succeeded in making Pakubuwono I. anxious. The second Javanese succession war illustrated the spirit of the struggle of the son of Untung Surapati in fighting for truth and justice. The two problems discussed in this article are to make objective reconstruction of the past. Second, how the influence of Islam on  the kingdoms in Java. The  author collects  and enforces facts to get a conclusion in a scary show. The study method includes qualitative analysis, the historical approach of Karl Marx, and F. Engels's perspective in understanding history as a past event. Talenta Publisher 2020-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/3981 10.32734/ijcas.v4i2.3981 International Journal of Culture and Art Studies; Vol. 4 No. 2 (2020): International Journal of Culture and Art Studies (IJCAS); 39-43 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/3981/3380 Copyright (c) 2020 Sri Wahyuning Septarina, I Nyoman Artayasa https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4046 2024-02-28T12:09:13Z ijcas:ART driver

Visual Arts Tourism in Malaysia: A Literature Review SER, ShawHong Malaysia’s Tourism Visual Arts Tourism Cultural Industries Visual Arts This article documented the development of visual arts tourism as a new field of Malaysia's tourism. Since the new millennium, the union of visual arts and tourism has been celebrated by the Ministry of Tourism, Arts & Culture as a marketing strategy to promote Malaysia as a top-of-the-mind destination art tourism destination. The research result has shown that currently there are three significant visual arts programs which are known as (1) One Malaysia Contemporary Art Tourism, (2) Art Expo Malaysia, and (3) Kuala Lumpur Biennale has been developed along with the government's strategies for partnership between visual arts, tourism and economic development. It is hoped that this paper will provide insights into an understanding of the tourism industry in Malaysia, particularly for visual arts tourism development. Talenta Publisher 2020-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4046 10.32734/ijcas.v4i2.4046 International Journal of Culture and Art Studies; Vol. 4 No. 2 (2020): International Journal of Culture and Art Studies (IJCAS); 15-26 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4046/3378 Copyright (c) 2020 ShawHong SER https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4061 2024-02-28T12:09:13Z ijcas:ART driver

Art as Contextual Epistemology: A New Theoretical Perspective on Contemporary Avant-gardism in Africa Akpang, Clement Emeka Epistemology Alternative Realism Avant-gardism Contemporary Art Epistemology Perspectives Africa Art constitutes a framework for the generation of new knowledge that enables a sophisticated understanding of society. It is deconstructivist/interrogative thus leads to the creation of alternative narratives and realities derived from complex visual interpretation of the universe, societies and circumstances. In a cognitivist sense, beyond aesthetic emotions/visual appeal art constitutes an intellectual source of knowledge through in-depth analysis of form, content and context of any given artwork. The paper adopts discourse and iconographic analysis as methodologies to introduce a new uncovered phenomenon of Contemporary Avant-gardism in postcolonial African art based on knowledge generation tailored to enforce change. This is achieved by interrogating the ideologies, methodologies and visual configurations of the works of contemporary African artists such as El Anatsui, Olu Amoda, Brett Murray, Kudzanai Chiurai, Clem Akpang and others. Their works instigate new lines of inquiries/knowledge through a renewed but subtle bohemian approach to artifactuality and interpretation of contemporary Africa. The paper submits that by its evocative/expressive nature, art creates structures of knowledge through subjective and visual dialogues that foster knowing in different ways beyond language. And that in contemporary African art-space this new artistic ethos is deployed as a form of avant-gardism that underpins the rationale of African art created in the continent today. Talenta Publisher 2020-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4061 10.32734/ijcas.v4i2.4061 International Journal of Culture and Art Studies; Vol. 4 No. 2 (2020): International Journal of Culture and Art Studies (IJCAS); 1-14 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4061/3328 Copyright (c) 2020 Clement Akpang https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4062 2024-02-28T12:09:13Z ijcas:ART driver

The Body As Canvas As Picture: Bodypainting and its Implications for the Model Jerrentrup, Maja Tabea Body Painting Identity Model Participant Observation Well-Being Body painting turns the body into a canvas – this frequently used phrase illustrates the challenge that body painting faces: It uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities, likes and dislikes. After giving an introduction to the art and categorizing its various types and contexts, the article focuses on the European body painting scene and on the role of the model within the scene. Although body painting can be very challenging for her – she has to expose her body and to stand still for a long time while getting transformed – models report that they enjoy the process and the result, even if they are not confident about their own bodies. A reason is that the “double staging“ – becoming a threedimentional work of art and then being staged for a photograph – remotes the body from the model and gives her the chance to see her painted body detached from herself. On the one hand, body painting closely relates to the body, on the other hand, it can help to overcome the body. Talenta Publisher 2020-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4062 10.32734/ijcas.v4i2.4062 International Journal of Culture and Art Studies; Vol. 4 No. 2 (2020): International Journal of Culture and Art Studies (IJCAS); 44-60 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4062/3381 Copyright (c) 2020 Maja Tabea Jerrentrup https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4559 2024-02-28T12:09:13Z ijcas:ART driver

A Semiotics Analysis of the Novel Illustration on Harry Potter and the Prisoner of Azkaban by J.K. Rowling Gistrama, Ionove Prastiwi, Yeny Semiotic Analysis Harry Potter Illustration Color Psychology This research aims to study the novel illustration as a sign in Harry Potter and The Prisoner of Azkaban novel by J.K. Rowling (2014). The researcher shows how the illustrations can influence readers by illustrating images, events, colors, and the typography displayed on the novel's cover. This research is qualitative. The data source used is the Harry Potter and The Prisoner of Azkaban novel by J.K. Rowling (2014) UK edition. The data collection technique is from analyzing the novel illustration.  The theory used in this study is a semiotic analysis of literature, the course of the sign, meaning, metaphor, and symbolism.  The result of this study are as follows: first, the value of novel illustrations. Second, the meaning of color psychology. Third, the reviews about the different edition of Harry Potter and The Prisoner of Azkaban novel. Talenta Publisher 2020-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4559 10.32734/ijcas.v4i2.4559 International Journal of Culture and Art Studies; Vol. 4 No. 2 (2020): International Journal of Culture and Art Studies (IJCAS); 27-38 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4559/3379 Copyright (c) 2020 Ionove Gistrama, Yeny Prastiwi https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4577 2024-02-28T12:11:46Z ijcas:ART driver

Cultural Identity and Aesthetics in Indian Folk Dance Thidambu Nritham: A Performance Outlook Puthumana, Govindan Namboothiri Puthumana, Govindan Thidambu Nritham North Malabar folk dance temple ritual Thidambu Nritham is an ancient Indian folk dance performed in villages of North Malabar in Kerala state. The performance follows several rules of Natya shastra, and at the same time, has influenced the cultural and social life of Malabar due to the ritualistic nature. According to the background and history, Kolathiri dynasty has introduced Thidambu Nritham as a part of temple rituals, the art form being seven-century old. Thidambu Nritham is deep-rooted in the civilization of north Kerala, as it has close links with agrarian culture and harvests in the region. The elements used for rituals and ceremonies in Thidambu Nritham connect with soil fertility and prayers for an enhanced crop yield. The aesthetics of Thidambu Nritham is related to the colourful decorations of thidambu using flowers and drumming in four rhythms. The culture of temple procession and worshippers joining the celebration could be traced from the prehistoric Indian tradition and heritage. Talenta Publisher 2021-04-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4577 10.32734/ijcas.v5i1.4577 International Journal of Culture and Art Studies; Vol. 5 No. 1 (2021): International Journal of Culture and Art Studies (IJCAS); 38-44 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4577/3865 Copyright (c) 2021 Govindan Namboothiri Puthumana, Dr. Govindan Puthumana https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4577 2021-04-30T07:03:15Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/4802 2021-04-30T07:03:14Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/4802 2024-02-28T12:11:46Z ijcas:ART driver

The Social Functions of Rumah Gadang of Kinari Village in Modern Society Jingling, Zhang Rumah Gadang matrilineal society function social change Rumah Gadang is a traditional house for Minangkabau people, the majority of whom live in West Sumatra. In addition to being a place of residence for the matrilineal family, the traditional house and a place of family consultation, places of ceremonies, inheritance of custom values, and representations of matrilineal culture. The paper will analyze the change of the traditional house function and its factors based on 146 traditional Nagari Kinari. The study uses a qualitative approach to identifying and collecting field data through the fieldwork in Nagari Kinari, Solok. The result shows that traditional houses in Kinari have dramatically changed their functions in matrilineal families' homes and educational centres. However, they are still places for important ceremonies and the manifestation of social status. The function in essential ceremonies and social status symbols These changes occur due to social changes, including changes in family structure, economic income, the national education system and personal awareness, and differences in understanding traditional culture. Talenta Publisher 2021-04-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4802 10.32734/ijcas.v5i1.4802 International Journal of Culture and Art Studies; Vol. 5 No. 1 (2021): International Journal of Culture and Art Studies (IJCAS); 1-9 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4802/3862 Copyright (c) 2021 Zhang Jingling https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/4866 2021-04-30T07:03:14Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/4866 2024-02-28T12:11:46Z ijcas:ART driver

The Culture Reproduction In the Charles Dickens’ Novel “Great Expectations” (Pierre-Felix Bourdieu Theory) Nur, Askar Habitus Culture Reproduction Great Expectations Pierre-Felix Bourdieu This research discusses cultural reproduction in Charles Dickens' novel Great Expectations and aims to discover the process of cultural reproduction in the novel. The researcher used the culture reproduction (habitus and field concept) theory of Pierre-Felix Bourdieu. This research focuses on culture reproduction that occurred in Great Expectations. The data were analyzed using a descriptive qualitative method to identify, describe and analyze the data found in the novel. The researcher used a coding sheet as the instrument to find out the valid data. This research is conducted to answer the problems that concerning how cultural reproduction occurred in the novel. According to Bourdieu, the findings show that some phenomena supported the process of cultural reproduction, as following the phenomena of cultural reproduction in the old and new culture based on habitus and field concept and its dialectical relation. The researcher concludes that the dialectical relation between old and new habitus, the old and new arena (field) or between unwillingness to return to old life and unwillingness to live in new life makes Pip get into a new phase of life by bringing his old culture and current culture. Talenta Publisher 2021-04-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/4866 10.32734/ijcas.v5i1.4866 International Journal of Culture and Art Studies; Vol. 5 No. 1 (2021): International Journal of Culture and Art Studies (IJCAS); 10-20 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/4866/3863 Copyright (c) 2021 Askar Nur https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/5343 2024-02-28T12:11:46Z ijcas:ART driver

Music Pa'baeng: The Rainmaking Ritual of the Pariopo Tribe in Bantal Village, Situbondo Regency, East Java Baidhowi, Ahmad Pa'beng music Hodo ritual music traditional ritual ceremony music community Pa'beng music is accompaniment music in Hodo ritual known as rain request ritual in Pariopo Tribe. Rituals that still run every year for the survival of ancestors since hundreds of years ago. The ritual is carried out at the peak of the drought arrives hoping that the rains fall so that the resulting harvest is abundant. Despite its development, this ritual changes and develops in line with the changing times. Nowadays, Pa'beng music develops and began to be known by the public with entertainment music without eliminating its authenticity. The art community of Bantal Village elevates Pa'beng music into entertainment music so that Pa'beng music can be known by the public and maintained its sustainability. The purpose of this research is to examine the history of Pa'beng music ranging from music as an accompaniment to the traditional ceremony of Hodo rituals until now into entertainment music. This research focused on the history of Pa'beng music in the changing times and the change of music function itself. This research uses the qualitative method to describe Pa'beng Music's background as a Hodo ritual accompaniment to produce descriptive data. Descriptive data is in the form of words and actions, therefore requiring methods that allow researchers to capture language and behavior. The data covers interviews, photography, videos, personal documents, and other official recordings. Talenta Publisher 2021-04-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/5343 10.32734/ijcas.v5i1.5343 International Journal of Culture and Art Studies; Vol. 5 No. 1 (2021): International Journal of Culture and Art Studies (IJCAS); 30-37 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/5343/3864 Copyright (c) 2021 Ahmad Baidhowi https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/5343 2021-04-30T07:03:13Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/5345 2021-04-30T07:03:12Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/5345 2024-02-28T12:11:46Z ijcas:ART driver

Study of Symbolic Meaning in Tuban Traditional Art Sandur Ronggo Budoyo Umazah, Aulina Sandur Ronggo Budoyo traditional art symbolism Traditional theatrical performance art is a valuable cultural asset in every region. Various performances of modern art have eroded traditional art into blurred and even invisible. The current globalization makes the existence of traditional art lose its true symbolic meaning because artists or artists prefer to follow the market in the process of cultivation. The traditional art of Sandur that still survives by prioritizing grip and symbolic things is the art of Sandur Ronggo Budoyo hamlet, Randu Pokak village, Prunggahan Kulon district, and Semanding Tuban district. The author is interested in researching this because some aesthetic things are studied from the symbolic study of the art of Sandur Ronggo Budoyo. This research uses a qualitative method with a case study approach—descriptive data analysis techniques with data reduction stages, data presentation, and inference. The informants in this study were government, community leaders, traditional art practitioners, and Sandur artists. Talenta Publisher 2021-04-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/5345 10.32734/ijcas.v5i1.5345 International Journal of Culture and Art Studies; Vol. 5 No. 1 (2021): International Journal of Culture and Art Studies (IJCAS); 21-29 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/5345/3866 Copyright (c) 2021 Aulina Umazah https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/6648 2024-02-28T12:07:05Z ijcas:ART driver

Analysis of Speech among Some Ethnic Groups in West Africa M'Begniga, Abdoulaye Concept Oral Ordinary Proverb Speech Sacred This research discusses the analysis of the concept of speech among some ethnic groups in West Africa. In fact, in West Africa, the art of speaking is brought to a high degree of perfection.  According to those ethnic groups discussed in this paper, the speech possesses a mystical, talismanic power, which means that it has the power to protect and change the course of events. The Nommo's conception of life can illustrate this idea in that they consider that life itself lies on speech without which it can never exist. Also, they consider that there is a close relationship between speech and the speaker. However, speaking is more than just lining up words to be understood by the interlocutor, the audience. It is considered an art that must respect certain rules relating to the place, the time and the person speaking. In this sense, the researcher, in this paper, tries to analyze the concept of speech in these ethnic groups of West Africa. The research uses secondary data as the method, otherwise called “literature review”. In other words, the researcher proceeded to collect the data related to the paper's topic by downloading them and then proceeded to the analyzes and comments. Talenta Publisher 2021-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/6648 10.32734/ijcas.v5i2.6648 International Journal of Culture and Art Studies; Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS); 57-69 2654-3591 2623-1999 10.32734/ijcas.v5i2 eng https://talenta.usu.ac.id/ijcas/article/view/6648/4446 Copyright (c) 2021 Abdoulaye M'Begniga https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/6766 2024-11-29T06:53:08Z ijcas:ART driver

Revisiting the Marketing of the Indonesian Batik and the Nigerian Adire Anele, Kalu Kingsley Cho, Young-Rae Adire Art-craft Batik Creative Economy Cultural Heritage Dye Resist Indonesia Nigeria Tourism This paper aims to fill the gap in the marketing of Batik and Adire. The methodology deployed is a comparative analysis of literature and legal instruments. The paper also uses data to comparatively analyze the impact of the marketing of Batik and Adire in the creative industries in Indonesia and Nigeria. The paper's findings show that both fabrics share some commonalities in making them, and their designs have sociocultural meanings. They contribute to sustainable socio-economic and cultural development of both countries. Moreover, both fabrics have cultural, aesthetic, artistic, and religious values. They play significant roles in tourism, art-craft, the creative industry, and the way of life of Indonesians and Nigerians. Both fabrics require similar measures to enhance their marketing strategies given their marketing limitations. Conclusively, common measures can be used to enhance the marketing of both fabrics in terms of the use of technology. Hence, both countries should put appropriate legal regimes, regulatory frameworks, facilities, and infrastructure in place to achieve that. Also, the creation of textile cottage industries, the establishment of small and medium enterprises, and public-private partnerships are key in bolstering the marketing of Batik and Adire. Talenta Publisher 2022-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/6766 10.32734/ijcas.v6i2.6766 International Journal of Culture and Art Studies; Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS); 75-95 2654-3591 2623-1999 10.32734/ijcas.v6i2 eng https://talenta.usu.ac.id/ijcas/article/view/6766/5445 Copyright (c) 2022 Kalu Kingsley Anele, Young-Rae Cho https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/6766 2022-10-30T16:46:18Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/6780 2024-02-28T12:07:05Z ijcas:ART driver

Different Understanding about the Other Shore: the Introspection Study on Chinese and Western Art under the Natural Disaster Sun, Zhi-hao Art Chinese culture Introspection Life and death Pestilence No matter what the different cultural backgrounds are, they will always collide and generate divergence on the same point of intersection and then continue moving forward in the direction of collective cognition. At present, the global world is facing severe pestilence disasters; China Art Circle made many responses immediately at the beginning of the epidemic situation and tried to fight the epidemic situation, encourage the front-line medical staff and provide energy for them. However, when the epidemic situation in China trends to calm, the art theme about the epidemic situation also suddenly keeps silent. It looks like calm without great waves; however, through investigating Western art, it is found that the Western Art Circle has different orientations on the attitude to disasters; considering its inner core, it maps the further understanding of groups with different cultural backgrounds on the cognition of other shores of life- different life and death idea influence the social outlook, view of life and expectation of life fate of different groups. Meanwhile, they also promote the society to show different introspection paths while facing disasters. The study uses empirical analysis to identify and collect the image information from classical paintings of the East and the West. The results show that compared with Western art, Chinese art conveys a message that focuses more on maintaining the country's stability. Talenta Publisher 2021-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/6780 10.32734/ijcas.v5i2.6780 International Journal of Culture and Art Studies; Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS); 45-56 2654-3591 2623-1999 10.32734/ijcas.v5i2 eng https://talenta.usu.ac.id/ijcas/article/view/6780/4445 Copyright (c) 2021 Dr. Sun Zhi-hao https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/6822 2024-02-28T12:07:05Z ijcas:ART driver

The Comparative Study of Form and the Structure of Sri Lankan Gaṭaberā and Pahatharaṭa Berā with the Indian Mridanga Drum Dehideniya, Isuru Drums making Gaṭaberā Mridanga Pahataraṭa berā South Asian drums The Gaṭaberā and Pahataraṭa berā are the main drums in two regions in Sri Lanka; also the Mridanga is one of all South Indian main drums. This research is a comparative analysis of the similarities and differences of form and structure between those Indians and Sri Lankans drums. That is conducted in the qualitative method. Several similarities and differences are discovered from the form and structure between those drums under the organization, order of the elements, construct process, and shape. The final conclusions are, 1) the form of all drum heads of Gatabera, Pahatharata bera, and Mridanga is similar, and also that form represents an Indian subcontinent drum head variety, but their structure is different according to the culture of both countries. 2) The form and structure of Gatabera and Mridanga drum bodies are slightly similar. Talenta Publisher 2021-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/6822 10.32734/ijcas.v5i2.6822 International Journal of Culture and Art Studies; Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS); 70-81 2654-3591 2623-1999 10.32734/ijcas.v5i2 eng https://talenta.usu.ac.id/ijcas/article/view/6822/4447 Copyright (c) 2021 Isuru Dehideniya https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/6825 2024-02-28T12:07:05Z ijcas:ART driver

Carrier Concept in Hindu Religious Scriptures and Sculpture: A Conspectus Panda, Taranisen Mohanty, Rajballav B. Biodiversity Hindu mythology Puranas Vahana Yoginis The relationship between man and bioresources (plants and animals) based on faith, belief, and tradition concerning gods and goddesses and other such powers are very intense, vast, and multifarious. The paper has a brief account of faith related to carrier or vahana in Hindu religious scriptures and sculpture. A total of 32 animals, ten different categories of birds, and only one plant (flower) are identified, playing the role of carriers of gods and goddesses of the Hindu pantheon. It is discussed that such faith, belief, and practice have a scientific basis and are helpful for the management and preservation of biodiversity. Talenta Publisher 2021-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/6825 10.32734/ijcas.v5i2.6825 International Journal of Culture and Art Studies; Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS); 82-86 2654-3591 2623-1999 10.32734/ijcas.v5i2 eng https://talenta.usu.ac.id/ijcas/article/view/6825/4448 Copyright (c) 2021 Taranisen Panda, Rajballav B. Mohanty https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/7249 2024-02-28T12:07:05Z ijcas:ART driver

The Meaning of Nyangahatn Ritual of Dayak Kanayatn Community for Disaster Mitigation Mohammad Maulana Magiman Sulistyo, Ary Jeanne Francoise Dayak kanayatn Disaster mitigation Local wisdom Nyangahatn ritual This research focused on the Nyangahatn ritual in Dayak Kanayatn indigenous people in West Kalimantan. This study uses a descriptive qualitative research method with a phenomenological approach with an emphasis on literature study. This paper uses the cultural theory, human ecology, and Disaster Mitigation and shows that there is a connection between those theories in Nyangahatn people’s rituals. Nyangahatn ritual related to the cultivation practices carried out based on the rice planting cycle. The results showed that the Nyangahatn ritual is a pearl of local wisdom, which is an effort in mitigating and adapting to disasters, especially regarding the planting and harvesting seasons. Forests or land cleared for cultivation are very calculated to avoid degradation and air sources. The Kanayatn Dayak indigenous people are very understanding about natural signs. In the process of land clearing for agriculture, it is essential to consider the ​​​​land area is to be planted so that it does not disturb the forest ecosystem. Meanwhile, the culture of balale' or gotong royong as a form of solidarity and harmony between community members is still maintained. Talenta Publisher 2021-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/7249 10.32734/ijcas.v5i2.7249 International Journal of Culture and Art Studies; Vol. 5 No. 2 (2021): International Journal of Culture and Art Studies (IJCAS); 87-96 2654-3591 2623-1999 10.32734/ijcas.v5i2 eng https://talenta.usu.ac.id/ijcas/article/view/7249/4449 Copyright (c) 2021 Mohammad Maulana Magiman, Ary Sulistyo, Jeanne Francoise https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/7400 2024-11-29T06:38:10Z ijcas:ART driver

Chengyu Translation Techniques in Web Novel Di Yi Qi Shao Agustian, Agretio Prasetyaningtyas, Hudiyekti Trihardini, Ayu chengyu idioms translation translation techniques web novel The translation is a process of transferring meaning from the source language to the target language. The translation process itself requires appropriate translation techniques in order to produce an acceptable translation in source language. Likewise, idiom or  chengyu has its own translation techniques. This study aims to analyze the chengyu translation technique in the Chinese web novel “Di Yi Qi Shao” which has been translated to the Indonesian version called “Menantu Palsu” using the idiom translation theory introduced by Nida and Taber which are from idioms to non-idioms; from idioms to idioms; and from non-idioms to idioms. This research is a qualitative descriptive analysis using the content analysis technique as a data analysis technique. The research uses the idiom translation method from Nida and Taber as a reference. The data of this study consists of 196 chengyu contained in chapter 1 until chapter 25 of the web novel.The study results showed that 155 chengyu (79.08%) were translated from idioms to non-idioms technique and six chengyu (3.06%) were translated by from idioms to idioms technique. Apart from using those two techniques, 35 chengyu (17.86%) were not translated. The results of the study also show that in the process of translation, there is a similar chengyu, each being translated by the same translation technique, but there is also a similar chengyu on several occurrences: some were not translated. In addition, there are similar chengyu which on its several occurernces, were translated by similar techniques but resulted in different translations. Talenta Publisher 2022-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/7400 10.32734/ijcas.v6i1.7400 International Journal of Culture and Art Studies; Vol. 6 No. 1 (2022): International Journal of Culture and Art Studies (IJCAS); 21-28 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/7400/4958 Copyright (c) 2022 Agretio Agustian, Hudiyekti Prasetyaningtyas, Ayu Trihardini https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/7413 2022-04-29T15:08:30Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/7413 2024-11-29T06:38:10Z ijcas:ART driver

Traditional Beliefs and Practices in Masquerading: Effutu Context Micah, Victor Kweku Bondzie Donkor, Evans Kwadwo Ankrah, Owusu-Ansah Effutu Functionalism Masquerades Traditional beliefs and practices Visual culture The study elevates the masquerading culture of Effutu masquerade and examines its functionalism of the traditional beliefs and practices associated with the masquerading culture in Winneba, Central Region of Ghana. The study employed a descriptive research tool under the qualitative research approach through ethnographic inquiry, which aimed at collecting data to unearth these traditional beliefs and practices of the Effutu masquerade. The study used unstructured interviews, photographs, and direct observation as the form of instrumentations to elicit information from the federation, some members, and leaders of the various masquerade groups in Winneba. The data was analyzed using descriptive and interpretative phenomenological (IPA) analysis tools. It was revealed that the Effutu masquerade culture possessed traditional beliefs and practices that were shrouded in religious, socioeconomic and aesthetic contexts. Functionalism in Effutu masquerade culture was seen as a repository for a critical reflection of the visual culture that promotes Ghana’s tradition and cultural values. The study concludes that the Effutu masquerade, irrespective of its distrust, contains elements of cultural richness and important traditional values that demonstrate a degree of philosophical urgency. Talenta Publisher 2022-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/7413 10.32734/ijcas.v6i1.7413 International Journal of Culture and Art Studies; Vol. 6 No. 1 (2022): International Journal of Culture and Art Studies (IJCAS); 1-20 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/7413/4957 Copyright (c) 2022 Victor Kweku Bondzie Micah, Evans Kwadwo Donkor, Owusu-Ansah Ankrah https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/7465 2024-11-29T06:38:10Z ijcas:ART driver

Gendered violence in Art: a study of Baroque and Classical Ages Dharmani, Rishya Art and history are always mirrors of each other. Their specific modes of functioning, despite being dissimilar to each other, are still consonant. Consciousness of time is common to them, traveling continuously through the past and future, creating the present. But art; its representation, subversion, methods, spaces, humans and life is sometimes contrarian to the march of history. Art often defies history by rejecting the 'present' and creating its own utopia. "Indeed, music protects its social truth by virtue of its antithesis to the society, by virtue of isolation, yet by the same measure, this isolation lets music wither. It is as if its stimulus to production, its raison d’être, had been withdrawn. Talenta Publisher 2022-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/7465 10.32734/ijcas.v6i1.7465 International Journal of Culture and Art Studies; Vol. 6 No. 1 (2022): International Journal of Culture and Art Studies (IJCAS); 47-59 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/7465/4962 Copyright (c) 2022 Rishya Dharmani https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/8385 2024-11-29T06:38:10Z ijcas:ART driver

Inventing Latin America Under the Good Neighborhood Policy: The Case of the MoMA Collection, 1943 Matallana, Andrea Latin American Arts Good Neighbor Policy Lincoln Kirstein Soft Diplomacy This article describes the strategies of the North American government to help establish a Latin American Collection in the Museum of Modern Art (MoMA) and the role that Lincoln Kirstein had as a collector of the works that made up the collection. The dialogue that Kirstein had with various personalities of the culture in the tasks of exhibition and collection is analyzed. We emphasize how the fine arts were spaces of political weighting, and areas usable by Good Neighbor politics. Finally, it is explained what kind of Latin American art was collected to make up the collection in 1943, and what idea of Latin America was represented through that selection.  The research uses primary sources collected from MoMA Archives, Rockefeller Personal Archives, New York Public Library and Lincoln Kirstein Archives. The comparative method in history was used to review the different cases analyzed. Talenta Publisher 2022-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/8385 10.32734/ijcas.v6i1.8385 International Journal of Culture and Art Studies; Vol. 6 No. 1 (2022): International Journal of Culture and Art Studies (IJCAS); 29-46 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/8385/4963 Copyright (c) 2022 Andrea Matallana https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/8720 2024-11-29T06:38:10Z ijcas:ART driver

The Characteristics of Society in Indonesian Based on the Hofstede Cultural Dimensions: Measuring the Five Indonesian Island Setyaningrum, Ratih Wijaya, Andi Rahadiyan Subagyo, Subagyo Cultural Dimension Hofstede Indonesia Characteristics Principal Component Analysis There is culturally plural happens in nowadays life context in many ethnicities, in the same space. This cultural diversity leads to different communication and attitude in social society.  The difference between the two cultures, the bigger between two cultures exist, the bigger challenge to adapt. Previous research stated that Indonesia is one Hofstede cultural group. But based on its location, Indonesia has various ethnic and historical sites. By seeing all of them, this paper has aimed to measure, to classify, and to do mapping on Indonesian cultural dimension characteristics. It has some of research steps by considering culture, management, and clustering of Indonesian cultural dimensions. The measurement using Hofstede was conducted to on 805 respondents, analyzed by using principal component analysis and been clustered by using principal component analysis and clustered using the agglomeration hierarchy clustering method. Respondents were coming from Indonesian native live in Sumatra, Java, Kalimantan, Sulawesi, Kupang and Ambon. The result showed that Indonesian culture could be categorized into 4 cluster groups; furthermore, it can be classified into 2 dimensions: intrinsic characteristics (1); environmental and future characteristics (2). The dimension of intrinsic characteristics consists of the power distance index (PDI), collectivism (COLL), and masculinity (MAS).   At the same time, the dimension of environmental and future characteristics consists of uncertainty avoidance (UAI) and long-term orientation (LTO). The result of this study is a cultural mapping in Indonesian society that a potentially contribute to developing cultural pattern in smart cities. Talenta Publisher 2022-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/8720 10.32734/ijcas.v6i1.8720 International Journal of Culture and Art Studies; Vol. 6 No. 1 (2022): International Journal of Culture and Art Studies (IJCAS); 60-74 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/8720/4964 Copyright (c) 2022 Ratih Setyaningrum, Andi Rahadiyan Wijaya, Subagyo Subagyo https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/8928 2024-11-29T06:53:08Z ijcas:ART driver

The History of Hakka Diaspora in Indonesia: Migration Waves and Negotiations with National Identity Kusuma, Bayu Mitra A. Octastefani, Theresia Hakka Diaspora Indonesian History Migration Waves National Identity The Hakka Diaspora is one of the immigrant descendants who have lived in Indonesia for a very long time. Their existence has often experienced ups and downs. This study aims to analyze the waves of Hakka migration to Indonesia and how they negotiate with national identity. This study used a descriptive qualitative approach to analyze this phenomenon with data collected from interviews and literature studies. The research results showed that the wave of Hakka migration to Indonesia does not only come from mainland China but also from Taiwan. The Hakka migration waves from mainland China largely occurred during the Qing dynasty due to overcrowded populations, the difficulty of land ownership, and government discrimination problems. Meanwhile, the Hakka migration from Taiwan occurred after the Treaty of Shimonoseki in 1895, which forced the Qing dynasty to surrender Formosa to Japan after the First Sino-Japanese war and mass company relocation in the 1980s due to rising production costs in Taiwan. Second, to negotiate their background with Indonesian identity, the Hakka have five philosophies of life called Hakkacita. This philosophy emphasizes conscience, good virtue, cohesiveness, devotion, and shared prosperity between Hakka descendants and other ethnic groups within the framework of Indonesian nationalism. Talenta Publisher 2022-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/8928 10.32734/ijcas.v6i2.8928 International Journal of Culture and Art Studies; Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS); 96-107 2654-3591 2623-1999 10.32734/ijcas.v6i2 eng https://talenta.usu.ac.id/ijcas/article/view/8928/5450 Copyright (c) 2022 Bayu Mitra A. Kusuma, Theresia Octastefani https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/8928 2022-10-30T16:46:16Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/9056 2022-10-30T16:46:15Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/9056 2024-11-29T06:53:08Z ijcas:ART driver

Museums in Ghana: Visitor Education, Experiences and Satisfaction Amoako-Hene, Kwasi Nortey, Samuel Bodjawah, Edwin Kwesi Ghana Exhibition Museum Education Satisfaction Visitor Experience Patronage and visitor education has been of great concern to the management of museums in Ghana. The need to assess visitors' experience, education, and satisfaction to inform policy is expedient. This study looked at visitor experience and satisfaction with museum education in Ghana. Visiting and studying nine museums under the Ghana Museums and Monument Board (GMMB) and using both qualitative and quantitative approaches, the study revealed that visitor experiences, satisfaction, and education are unsatisfactory. There are issues with teaching methods, the state of exhibits and exhibition styles, and the challenge of low possibility for visitor revisit. Results show that there are low innovative educational and entertaining activities to strengthen museum infrastructure. There is a need to commit resources to strengthen museums and introduce activities that would serve as grounds for museum learning. A strong engagement of visitor education in a positive, socio-cultural and conducive learning atmosphere is very much expedient. Talenta Publisher 2022-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/9056 10.32734/ijcas.v6i2.9056 International Journal of Culture and Art Studies; Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS); 120-133 2654-3591 2623-1999 10.32734/ijcas.v6i2 eng https://talenta.usu.ac.id/ijcas/article/view/9056/5449 Copyright (c) 2022 Kwasi Amoako-Hene, Samuel Nortey, Edwin Kwesi Bodjawah https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/9450 2022-10-30T16:46:15Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/9450 2024-11-29T06:53:08Z ijcas:ART driver

Waste to Wealth: Art Production Formula in a Lockdown Situation Ukim, Ime Art Material Art Production Covid-19 Lockdown Waste In life, there are negative occurrences capable of throwing humanity into lockdown conditions, like the recent global pandemic - Covid-19, which caused lockdowns to be declared at different places across the globe. This made for the restriction of movement, resulting in the unavailability of raw materials, which in turn halted the production of goods which are not food or medicine. Art was not left out, as its production was equally held in abeyance. This paper projects a formula for continuity in art production in such a situation. Its objectives are to expatiate the basic requirements for art production and propose a viable formula for it in a lockdown situation. The paper employed the internet, analog, and digital libraries to review related literature and works and a descriptive research approach. Findings reveal that the basic requirements for art production are artistic skill, artistic idea; art material(s); and tools/equipment where necessary. Also, the artist’s main problem of unavailability of conventional materials during lockdown can be overcome by employing waste, freely available everywhere, for art production. The paper concludes that employing waste as material for art creation can keep the artist afloat in art production during the lockdown. It is recommended that artists not only employ waste for art creation in a lockdown condition but always for innovation and creativity in art praxis. Talenta Publisher 2022-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/9450 10.32734/ijcas.v6i2.9450 International Journal of Culture and Art Studies; Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS); 134-146 2654-3591 2623-1999 10.32734/ijcas.v6i2 eng https://talenta.usu.ac.id/ijcas/article/view/9450/5448 Copyright (c) 2022 Ime Ukim https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/9572 2024-11-29T06:53:08Z ijcas:ART driver

The Japanese Compound Verb ~ kakeru (~ かける): It's Meaning and Formation Taulia, Taulia Gapur, Abdul kakeru Compound Verb Japanese This study examines "~kakeru (～かける) Compound Verbs in Japanese Sentences." This study describes the structure and meaning of the compound verb kakeru in Japanese sentences. The data used by the researcher come from diverse sources, including books, dictionaries, and sentences written by the researchers themselves. It utilizes library resources to collect the necessary data. Then, the form and meaning of the compound verb kakeru are determined using the distributional method and the basic direct element technique. Based on the data analysis, it can be concluded that the meaning describes the activity's initiation and its state. In addition to being attached to activity verbs and punctual verbs, the form of the compound verb kakeru can also be attached to stative verbs. In sentences containing the compound verb kakeru, that state just before an activity begins and activities that have been ongoing for some time. Talenta Publisher 2022-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/9572 10.32734/ijcas.v6i2.9572 International Journal of Culture and Art Studies; Vol. 6 No. 2 (2022): International Journal of Culture and Art Studies (IJCAS); 108-119 2654-3591 2623-1999 10.32734/ijcas.v6i2 eng https://talenta.usu.ac.id/ijcas/article/view/9572/5446 Copyright (c) 2022 Taulia Taulia, Abdul Gapur https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/9572 2022-10-30T16:46:14Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/10463 2024-02-28T12:05:58Z ijcas:ART driver

The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art navei, Nyamawero Culture Costume art The lioness of African music Stage performance Wiyaala In stage performance, costume art is an essential visual signature device with the veracity to unveil the character and cultural identity of the performer. Stage costume art could also be deployed to respond to pertinent societal issues. In spite of its versatile essentiality in performing arts, there seems to be a dearth of scholarly interpretation of stage costume art of Ghanaian musicians, thereby creating a knowledge gap. This qualitative case study makes a hermeneutical interpretation of eight random-purposively sampled stage costumes of Wiyaala (a Ghanaian female musician) to establish their cultural symbolism. The study found Wiyaala not only an iconic Ghanaian artiste but an internationally recognised musician who toured many countries across Africa, Europe, the Americas, and other continents for musical stage performances. It emerged that Wiyaala’s stage costumes were locally self-constructed, and ably reflected the uniquely versatile indigenous African (Ghanaian) dress cultural identity in respect of African (Ghanaian): royal dress fashion, war costumes, initiation costumes, and others. Wiyaala could be said to have prioritised interest in using her locally sourced stage costume art to promote and preserve indigenous African (Ghanaian) dress cultural identity. Since Wiyaala is an iconic musician, she is encouraged to continue deploying locally sourced costume art for her stage performances to promote and preserve African (Ghanaian) dress cultural identity for posterity. This tends to decolonise the stage costume choice of many Ghanaian musicians with its cascading impact on the Ghanaian textile and fashion industry for economic and job gains. Talenta Publisher 2023-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/10463 10.32734/ijcas.v7i1.10463 International Journal of Culture and Art Studies; Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS); 49-63 2654-3591 2623-1999 10.32734/ijcas.v7i1 eng https://talenta.usu.ac.id/ijcas/article/view/10463/6025 Copyright (c) 2023 Nyamawero navei https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/11276 2024-02-28T12:05:58Z ijcas:ART driver

Semiotic Analysis of Overthinking in Music Vidio Takut by Idgitaf Br. Perangin-angin, Alemina Syahputra, Fikry Prastya Andayani, Widya Jalil, Zurriyati A. Connotation Denotation Overthinking Myth Music Video Semiotic Overthinking is one of the big problems for young people nowadays. The release of the music video of Takut by Idgitaf is very relatable to the overthinking phenomenon that occurs in young people. This research aims to analyze overthinking representations in the music video of Takut by Idgitaf.  The method used in this analysis is qualitative and the theory of Roland Barthes to identify myth, denotation, and connotation meanings in the video. Semiotic signs are found in the music video Takut by Idgitaf, both visually through video and verbally through the lyrics. The research proves that the music video for this song of Takut by Idgitaf has been signed visually and verbally, describing a person's overthinking attitude towards everything, especially young people. This song explores the feelings of young people nowadays about the stress of thinking about the future, the fear of failure, and the anxiety about getting older also means increased responsibility. Besides, this song conveys how young people can deal with overthinking.   Talenta Publisher 2023-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/11276 10.32734/ijcas.v7i1.11276 International Journal of Culture and Art Studies; Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS); 01-08 2654-3591 2623-1999 10.32734/ijcas.v7i1 eng https://talenta.usu.ac.id/ijcas/article/view/11276/6011 https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/11401 2024-02-28T12:05:58Z ijcas:ART driver

The Traditional Karonese Oil as Ancestral Heritage Sari, Ellieka Sitepu, Runtung Saidin Maria Traditional medicine Ancestral heritage Karonese oil Legal protection Every indigenous people are familiar with traditional medicine and medical techniques in order to maintain life in an atmosphere of support for community medicine and medical techniques. Traditional knowledge, especially traditional medicine, is Karonese Oil which has important benefit. This study examines the openness of the ancestral heritage of traditional knowledge of Karonese Oil. In this study, it is hoped that a renewal of regulations on traditional knowledge is closely related to regulations on the protection of traditional medicine because of medicine and techniques that have not received adequate legal protection. Data collection is carried out descriptive qualitative research, descriptive is a problem formulation that guides research to explore or portray the social situation to be studied thoroughly, broadly and in depth to craftsmen or traditional Karo oil activists.  The data were analyzed qualitatively by using a legal theory approach as a rationale. Indigenous peoples rule on the protection of traditional knowledge of ancestral heritage of traditional Karo tribe oil. The Karonese tribe has various kinds of knowledge of medicine and traditional medicine techniques, especially Karonese oil. Updating on traditional knowledge that are closely related to regulations on the protection of traditional medicine due to inadequate medicines and techniques. This is in the form of regulations concerning the draft law on the protection and use of intellectual property, traditional knowledge and traditional cultural expressions, which until now have not been ratified by the Government. Talenta Publisher 2023-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/11401 10.32734/ijcas.v7i1.11401 International Journal of Culture and Art Studies; Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS); 22-29 2654-3591 2623-1999 10.32734/ijcas.v7i1 eng https://talenta.usu.ac.id/ijcas/article/view/11401/6016 https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/11499 2024-02-28T12:05:58Z ijcas:ART driver

Exploring the Costume Styling and Material Composition of the Effutu Festival Costumes Safo-Ankama, Kweku Sawyerr, Naa Omai Costumes Performance costumes Effutu festival costumes Costume styling Material composition This study investigates the costume styling and material composition of Effutu festival costumes. It is delimited to Effutu festival performance costumes. The qualitative design was adopted. The ethnography approach was employed through narrative analysis and oral history. Unstructured interviews and on-site direct observations were the qualitative data collection instrument used for the data collection. The narrative analysis was used to analyse the data. The findings revealed that historically costumes are seen as relics that can tell the story about the exploits and traditional mythologies of the communities. Again, costumes that materialise culture and identities do not just mirror pre-existing sets of ideas or symbolic systems but facilitate values as ‘they form part of an ethnohistorical repository of knowledge. The findings further revealed that, costume styling could be categorised into Royal, Ritual, Asafo (war/battle), Generational, Women ensembles (Adzewa costumes) and Fanciful costumes. The basic material composition of costumes includes fabrics (both applied and structural designs), leather, horsetail, metal helmets, pillows, kaolin, beads (plastic and glass), mpoboa (shoes), symbolic colours and other material collaboration. It is recommended that costumes used for the Effutu festival be recorded and digitalised for future reference. Talenta Publisher 2023-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/11499 10.32734/ijcas.v7i1.11499 International Journal of Culture and Art Studies; Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS); 09-21 2654-3591 2623-1999 10.32734/ijcas.v7i1 eng https://talenta.usu.ac.id/ijcas/article/view/11499/6013 Copyright (c) 2023 Kweku Safo-Ankama, Naa Omai Sawyerr https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/11682 2024-02-28T12:05:58Z ijcas:ART driver

Religious Identity Negotiation in Japanese-Indonesian Intermarriage Ulfah, Elisa Indonesian Wife Intermarriage Religious Negotiation Religion This research is qualitative research using a life story approach. The informants of this study were seven Indonesian Muslim women and one Christian who married a Japanese man living in Japan. The study analyzes how religious identity is negotiated in the marriages of Japanese men and Indonesian women. The previous research informants were three Indonesian women who married Japanese people in Indonesia. The prior research indicates that all Japanese husbands follow the religion of their Indonesian wives. This study finds that all Japanese husbands, before marriage, follow the religion of their Indonesian wives. Still, after marriage, some continue to follow the informant's religion, while others return to their previous religion. Seven informants kept their religion, but one person converted to the religion of a Japanese husband. Two informants entered marriages with different religions. One informant who did not want to follow her husband's religion had a severe conflict because of the intervention of the informant's mother-in-law. Husbands generally do not question the religion of their wives, but disputes arise in cases where Japanese husbands adhere to a particular religion. The Indonesian wife's family and several Japanese husband's families also intervened in the religious negotiations. The religious change of Japanese men before marriage is initially more of a consideration for the smooth running of the marriage process. Research on intermarriages between Indonesians and Japanese is minimal. Research like this needs to be done because the number of intermarriages is increasing. This research brings valuable knowledge to prospective Indonesian and Japanese intermarriages. Talenta Publisher 2023-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/11682 10.32734/ijcas.v7i1.11682 International Journal of Culture and Art Studies; Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS); 30-40 2654-3591 2623-1999 10.32734/ijcas.v7i1 eng https://talenta.usu.ac.id/ijcas/article/view/11682/6019 Copyright (c) 2023 Elisa Ulfah https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/11868 2024-02-28T12:05:58Z ijcas:ART driver

Japanglish: The Benefits of English Proficiency for Japanese Language Students' Vocabulary Acquisition in North Sumatra Gapur, Abdul Taulia Loan Words Gairaigo English Japanese Learners Japanglish is a popular term for absorbing English words into the Japanese language. The phenomenon emerged due to the global usage of English as an international language, which has influenced other languages, including Japanese. As a result, many English loanwords have been absorbed into the Japanese language, particularly for modern terminology. These loanwords are known as gairaigo (外来語) or katakanago (カタカナ語). Although the incorporation process involves morphological and phonological changes, English loanwords are easily recognizable to those who understand English. This study aims to prove that English Proficiency among Japanese language learners can help improve their mastery of Japanese vocabulary and conversational ability. The study was conducted by providing special instructions on the formation and usage of Japanese loanwords in conversation. The study approach is qualitative with a descriptive method, employing behavioral theory and pre-test and post-test evaluation methods. Data were collected through observation of the teaching process and pre-test and post-test results from Japanese language students in Sumatra Utara. The findings indicate that English language proficiency among students offers advantages and influence in the mastery of Japanese vocabulary, especially in loanwords, and facilitates communication in conversation. Talenta Publisher 2023-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/11868 10.32734/ijcas.v7i1.11868 International Journal of Culture and Art Studies; Vol. 7 No. 1 (2023): International Journal of Culture and Art Studies (IJCAS); 41-48 2654-3591 2623-1999 10.32734/ijcas.v7i1 eng https://talenta.usu.ac.id/ijcas/article/view/11868/6024 Copyright (c) 2023 Abdul Gapur, Taulia https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/12322 2024-02-28T12:53:14Z ijcas:ART driver

Interference of Indonesian Language on Japanese Language in the Use of Aizuchi (相槌) by Japanese Language Students in Medan Taulia Gapur, Abdul Aizuchi Interference Japanese Learners Japanese Indonesian Language interference or disorder often occurs in individuals who have acquired proficiency in multiple languages, including Japanese language learners at the college level. This research aims to analyze the interference of the Indonesian language in the use of aizuchi (backchanneling) in Japanese by Japanese language students in Medan, Indonesia. The study employs a qualitative approach with a descriptive method. The data consists of transcriptions of conversations between students and lecturers that contain instances of aizuchi interference. Data collection is conducted through observation using techniques such as eavesdropping and note-taking. The collected data is analyzed through data condensation, data presentation, and conclusion drawing. The findings reveal that the interference of the Indonesian language in aizuchi in Japanese primarily occurs at the lexical level, specifically in the utilization of Indonesian words as aizuchi in Japanese conversations. An example of this interference is replacing the Japanese word "hai" with the Indonesian word "iya." The students' experiences influence the identified interference in learning foreign languages and cultural factors. This research contributes to a better understanding of the interference of the Indonesian language in the use of aizuchi in Japanese and provides insights for teaching the Japanese language at the tertiary level. Talenta Publisher 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/12322 10.32734/ijcas.v7i2.12322 International Journal of Culture and Art Studies; Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS); 86-91 2654-3591 2623-1999 10.32734/ijcas.v7i2 eng https://talenta.usu.ac.id/ijcas/article/view/12322/6706 Copyright (c) 2023 Taulia, Abdul Gapur https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/12684 2024-02-28T12:53:14Z ijcas:ART driver

Semiotics of Factory Printed Wax Prints across West Africa Sawyerr, Naa Omai Acquaye, Richard Kusi, Cynthia Agyeiwaa Design Semiotics Visual Representation Wax print West Africa This research explores the topic of factory-printed wax fabrics in West Africa, focusing on their portrayal and significance within the region. The study examines the resemblances and distinctions of these prints across different countries, as well as their applications, meanings, and interpretations. The historical and cultural importance of wax prints in West African society, culture, and economy is emphasized, highlighting the diverse meanings embedded within seemingly uniform designs. The research methodology involves qualitative research and selective sampling, with ten wax print designs chosen for analysis in Ghana, Nigeria, Cote d'Ivoire, and Togo. These countries were selected based on their integration, trade, production, and cultural significance related to wax prints. Data collection involved meticulous observation, thorough documentation, interviews, and thematic analysis. The findings reveal both similarities and differences among the analyzed designs, each representing unique narratives and embodying cultural significance. These prints are not just patterns, but also vessels of history, with captivating stories intertwined with their origins. To ensure the preservation and relevance of these visual representations for future generations, it is recommended to undertake comprehensive documentation and cataloging of traditional wax prints. Talenta Publisher 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/12684 10.32734/ijcas.v7i2.12684 International Journal of Culture and Art Studies; Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS); 64-76 2654-3591 2623-1999 10.32734/ijcas.v7i2 eng https://talenta.usu.ac.id/ijcas/article/view/12684/6704 Copyright (c) 2023 Naa Omai Sawyerr, Richard Acquaye, Cynthia Agyeiwaa Kusi https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/12693 2024-02-28T12:53:14Z ijcas:ART driver

The Pacman Song Meaning Interpreted through Semiotics Analysis Nuryanti, Dewi Pragita, Salca Interpretation Meaning Riffaterre’s Semiotics Semiotic analysis Song lyric Song Interpretation This study aimed to interpret the meaning of the song lyrics “Pacman” by EAJ. It used the semiotic analysis by Michael Riffaterre. The research was qualitative descriptive research. Data for the research was the lyrics of the Pacman song by EAJ. The research found that the heuristic reading process in the “Pacman” lyrics still discussed each line’s meaning. It was interpreted when a person loved someone and would give anything and did anything even if it ended painfully as long as he/she was together with his/her mate. Then “Pacman and Lover” was analyzed as a model. “Cause my head says no, but my phone keeps calling you.” and “Over and Over, like it’s Red Rover” was analyzed as a variant. “People who love to die for someone” was analyzed as a matrix. Last, “one-sided love” was explored as a potential hypogram, and “Pacman” was analyzed as an actual hypogram. This research concludes that the hidden meaning of “Pacman” lyrics is when a person loves someone deeply. Even if a loved one hurts him, he will still love his lover.  Talenta Publisher 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/12693 10.32734/ijcas.v7i2.12693 International Journal of Culture and Art Studies; Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS); 109-125 2654-3591 2623-1999 10.32734/ijcas.v7i2 eng https://talenta.usu.ac.id/ijcas/article/view/12693/6772 Copyright (c) 2023 Dewi Nuryanti, Salca Pragita https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/13409 2026-01-08T04:00:18Z ijcas:ART driver

Locally Taboo Words Within East Java Society: A Sociolinguistic Study Br. Perangin-angin, Alemina A. Jalil, Zurriyati Pranata, Juli Samuel Amalia, Firdha Culture Javanese People Perception Taboo Words Rural and Urban Researchers can learn a lot about a culture's values, beliefs, and fears by looking at the things that people don't do. What a culture thinks is holy, dangerous, or rude can be shown by taboos. This can help us figure out how societies work and how they've changed over time. This article analyzes the use of taboos in the daily communication of the people of East Java, particularly adolescents. Rural and urban Javanese have differing perspectives on the usage of taboo language, respectively. This study intends to examine the opposition of views between rural and urban Javanese individuals who use taboo language to communicate, as well as the types of taboo words typically employed by Javanese people. The type of data obtained from the study is qualitative, thus the data that will be reported in this study will be in the context of the usage of taboo language by rural, urban, and East Java Province-dwelling Javanese. The data was also collected by Interviews: Talking to people from a wide range of backgrounds in depth. Ask them open-ended questions about how they feel about banned words when they're used, and how they make them feel. Since rural Javanese continue to use language and manners, their perspectives on taboo language analysis differ from those in urban areas. The East Javanese believe that profanity and restricted language should not be utilized in speech and social interactions.  Talenta Publisher 2024-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/13409 10.32734/ijcas.v8i1.13409 International Journal of Culture and Art Studies; Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS); 37-46 2654-3591 2623-1999 10.32734/ijcas.v8i1 eng https://talenta.usu.ac.id/ijcas/article/view/13409/7351 Copyright (c) 2024 Alemina Br. Perangin-angin, Zurriyati A. Jalil, Juli Samuel Pranata, Firdha Amalia https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/13692 2024-02-28T12:53:14Z ijcas:ART driver

Design of a Rumah Budaya in the Context of Preserving Karo Culture in Desa Lingga, Karo Regency, North Sumatra Nasution, Putri Handayani Ginting, Salmina Wati Karo Siwaluh Jabu Preservation Heritage Tourist The Siwaluh Jabu Traditional House is one of the cultural heritages from the ancestors of the Karo people from the past. This traditional house is located in Desa Lingga (Lingga Village), Karo Regency, North Sumatra, Indonesia. The interest of tourists in visiting this traditional house has made the local government make Desa Lingga a cultural village. Traditional houses and other cultural heritage symbolize the greatness of the Batak Karo ancestors in the past. Nevertheless, the "remains" (inheritance) of greatness seems to have less attention anymore. This paper was created with the aim of examining the existence of cultural heritage with tourism potential of the Siwaluh Jabu Traditional House in Desa Lingga and providing architectural design solutions as a form of Karo Cultural preservation by creating a Rumah Budaya that provides lodging facilities and cultural learning facilities in order to preserve Karo Culture. The research was conducted using a qualitative descriptive method where the authors obtained the data by observing and describing th eenvironmental conditions of the object. Referring to the research results, it was found an idea for an design that has a cultural program where visitors and tourists can enjoy the atmosphere of Lingga Village, which is unique to its Karo Culture while learning about this culture. The design of this cultural learning facility will impact the Siwaluh Jabu Traditional House because this traditional house will experience preservation which is expected to lead to an increase in tourist visits to the Desa Budaya Lingga. Talenta Publisher 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/13692 10.32734/ijcas.v7i2.13692 International Journal of Culture and Art Studies; Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS); 77-85 2654-3591 2623-1999 10.32734/ijcas.v7i2 eng https://talenta.usu.ac.id/ijcas/article/view/13692/6705 Copyright (c) 2023 Putri Handayani Nasution, Salmina Wati Ginting https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/13765 2024-02-28T12:53:14Z ijcas:ART driver

Indigenous Knowledge in Esan Proverbs of Edo State Nigeria Aluede, Charles Onomudo Okakah, Fatelyn Irenosen Ehiemua, Kingsley Iyayi Folk proverbs Indigenous knowledge Cultural education Eclectic culture Esan people of Nigeria The Esan people are an ethnicity in the Edo state of Nigeria. Their language and culture are a subset of the larger Edo ethnic group in Nigeria. A close study of the Esan indigenous knowledge and culture reveals that the appeal of the Esan folk proverbs is in their eclectic nature because of their portrayal of diverse issues in the Esan cosmology and belief system, ranging from folk art to traditional health care beliefs and practices. This finding suggests that the subject of Esan proverbs deserves some scholarly attention. This article, therefore, examines the nature of Esan proverbs even as they perform their didactic and pedagogical functions in contemporary Esan parlance. By its nature, this study adopted a combination of research approaches, which included content analysis, library searches, and ethnographic methods such as interviews and observations. In the ethnographic study of a specific Nigerian with a focus on its proverbs, this paper’s research light shall beam over the five local government areas (LGAs) populated by the Esan people in the Edo State of Nigeria. Apart from its potential for insightful scholarship, the significance of this study on Esan proverbs also lies in the fact that inquiries into the indigenous knowledge system (IKS) portray folk proverbs as veritable windows into the culture and essence of a people. Indigenous knowledge has much more impact on contemporary society than people know. Talenta Publisher 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/13765 10.32734/ijcas.v7i2.13765 International Journal of Culture and Art Studies; Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS); 101-108 2654-3591 2623-1999 10.32734/ijcas.v7i2 eng https://talenta.usu.ac.id/ijcas/article/view/13765/6708 Copyright (c) 2023 Charles Onomudo Aluede, Fatelyn Irenosen Okakah, Kingsley Iyayi Ehiemua https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/14242 2024-11-29T06:26:10Z ijcas:ART driver

Strengthening Students’ English Competence Based on the Results of Their English Proficiency Test with the Use of the Expert System with Forward Chaining Method Putri, Liza Amalia Nurrahmi, Herly Chu, Xirui Expert System Forward Chaining TOEFL This article presents the results of a study that aimed to strengthen students' English language competency based on the results of their English proficiency tests using an expert system with a forward chaining method. The study employed a quasi-experimental design, with an experimental group receiving intervention using the expert system and a control group following traditional classroom instruction. The analysis of pre and post-test assessments revealed significant improvements in language skills for the experimental group compared to the control group. Additionally, the comparison of English proficiency test results showed higher mean scores for the experimental group, indicating a positive impact of the expert system intervention. The findings highlight the potential of the expert system with forward chaining in providing personalized and adaptive learning experiences, supporting language educators in addressing individual students' weaknesses, and enhancing overall language development. Further research with larger sample sizes and diverse participant groups is recommended to validate these findings and explore the scalability of this approach in language education. Talenta Publisher 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/14242 10.32734/ijcas.v7i2.14242 International Journal of Culture and Art Studies; Vol. 7 No. 2 (2023): International Journal of Culture and Art Studies (IJCAS); 92-100 2654-3591 2623-1999 10.32734/ijcas.v7i2 eng https://talenta.usu.ac.id/ijcas/article/view/14242/6707 Copyright (c) 2023 Liza Amalia Putri, Herly Nurrahmi, Xirui Chu https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/15216 2026-01-08T04:00:18Z ijcas:ART driver

The Combination of Culture and Art in Muludan Mask Dance as a Strategy for Preserving Tradition: Muludan Mask tradition as a component of Surabaya's place identity Santiana, Anindra Candrika Riyanto, Edi Dwi Afdholy, Nadya Muludan Mask Prophet’s Birthday Identity Surabaya Place Identity Festivals and celebrations are among many ways for a culture or tradition to be presented to society. Muludan Mask is a Surabaya culture where children often play with these masks when celebrating the Prophet’s Birthday. But unfortunately, this culture is starting to be eroded by the times along with the development of the globalization era. Many efforts have been made by both the Surabaya government and communities in Surabaya to preserve the Muludan mask tradition. One of the efforts made by the Arbaya Dance Community in 2017 and 2018 was to celebrate the Prophet's birthday at Balai Pemuda Surabaya by dancing the Muludan Mask dance together. The qualitative method with interviews as a data collection method was applied to collect data from within the Arbaya Dance Community as the source to determine how effective and sustainable the efforts to preserve the Muludan mask tradition are. This article wants to show how art and culture are combined to preserve a tradition since tradition is one of the components composing a place identity. The results of this research show that the existence of the Muludan Mask tradition needs to be reaffirmed so that it doesn’t fade completely from Surabaya society because it can affect the identity of Surabaya. This tradition's small number of cultural practitioners causes this article to have only one source from one community. It is hoped that this article can provide further information about the Muludan Mask and help this tradition to be noticed by the Surabaya people. Talenta Publisher 2024-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/15216 10.32734/ijcas.v8i1.15216 International Journal of Culture and Art Studies; Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS); 47-54 2654-3591 2623-1999 10.32734/ijcas.v8i1 eng https://talenta.usu.ac.id/ijcas/article/view/15216/7353 Copyright (c) 2024 Anindra Candrika Santiana, Edi Dwi Riyanto, Nadya Afdholy https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/15333 2026-01-08T04:00:18Z ijcas:ART driver

Cultural Encounters: Puppetry Performing Arts (Wayang) and Dangdut Music as a Reflection of India-Indonesia Integration Bagaskara, Akbar Rokhani, Umilia Wahyuningsih, Septiana Cultural Wayang Music India Indonesia The purpose of this research is to reveal the relationship or social and cultural influence of the Indian nation on the expression of performing arts (wayang) and dangdut music in Indonesia. The hope of this research is to increase public awareness of the identity of national performing arts and music, which is rarely realized to be heavily influenced by Indian culture. Specifically, the aspects examined in this research include changes in the content of stories from Indian epics in the adaptation of Indonesian performing arts, as well as dangdut music that adapts the energetic spirit of music and dance from India. The method used in this research is qualitative with primary data sources derived from scientific articles and books related to the research. The data validation analysis technique used in this research is triangulation. Triangulation is used as a means of comparing the amount of data, to determine its consistency and accuracy, which will be displayed in the research. The results of this study show that, the culture brought by India is not really one hundred percent imitated or copied by the Indonesian people. The author concludes that the hybridity that occurs between Indian and Indonesian culture actually forms a new innovation in the field of art itself or can also be called a new work. The Mahabharata and Ramayana stories, which were originally the source of puppetry, changed and adapted to Indonesian culture. As a result, there are many compositions of the two epics, character changes, and the emergence of new characters that do not exist in the Mahabharata and Ramayana themselves, such as the punakawan characters that are closely related to the spread of Islam in Indonesia. The same goes for dangdut, a music that was originally based on the character of Malay music from Indonesia, now transformed into a new genre called dangdut due to the influence of India, through political elements and the spread of Indian movies in the 20th century. Talenta Publisher 2024-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/15333 10.32734/ijcas.v8i1.15333 International Journal of Culture and Art Studies; Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS); 27-36 2654-3591 2623-1999 10.32734/ijcas.v8i1 eng https://talenta.usu.ac.id/ijcas/article/view/15333/7341 Copyright (c) 2024 Akbar Bagaskara, Umilia Rokhani, Septiana Wahyuningsih https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/15858 2026-01-08T04:00:18Z ijcas:ART driver

Exploring Materials for Constructing Fancy Dress Masquerade Costumes in Winneba, Ghana (1958-2020) Dennis, Albert Opare Darko, Fabiola Mamle Costume Costume Construction Fancy Dress Masquerade Materials Winneba The representation of Fancy Dress masquerades in Ghana, particularly in Winneba, has been revered as part of the country’s popular culture. Fancy Dress masquerade performances, which originated in coastal towns of Ghana during the 18th century under the aegis of colonialism, are currently seen in popular parades and club competitions. Undoubtedly, the utilisation of costumes forms the cornerstone of Fancy Dress masquerading. Although Fancy Dress masquerade costumes add to the depth and breadth of the performance, little empirical study exists on the materials used to construct costumes for this performance. In this study, we explore materials used to construct Fancy Dress masquerade costumes in Winneba, Ghana, from 1958 to 2020. Using a qualitative approach, multiple instruments, and engaging thematic and document analytical frames to analyse the data, the findings of the study revealed the use of fabrics; leather and jute bags. The rest were foam; agricultural products; paper, strawboards and used packaging boxes; net, fibre and plastic sachets to construct costumes such as ‘cowboy’, ‘tigers’ and ‘hunters’. With a treasure trove of materials, fabrics were chiefly used due to their unique physical properties. On the heels of the finding, we recommend that practitioners explore non-conventional and sustainable materials to maintain ecological sustainability. Ultimately, the study advances the understanding of masquerade costumes by addressing gaps in the literature and providing new perspectives. Talenta Publisher 2024-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/15858 10.32734/ijcas.v8i1.15858 International Journal of Culture and Art Studies; Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS); 01-15 2654-3591 2623-1999 10.32734/ijcas.v8i1 eng https://talenta.usu.ac.id/ijcas/article/view/15858/7339 Copyright (c) 2024 Albert Dennis, Fabiola Mamle Opare Darko https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/15860 2025-08-09T13:46:39Z ijcas:ART driver

Implementation of Betulungan on Multiethnic Women in Preserving The Haul Tradition in Samarinda East Kalimantan Sunardi Rusmawaty, Desy Sultan, Muhammad Betulungan culture The Haul tradition Multiethnic Collaborative environment This ethnographic study investigates the Haul tradition's execution in Samarinda, East Kalimantan, emphasising the procedures and challenges of preserving this significant religious and cultural event. The Haul custom- an Islamic observance that pays tribute to esteemed progenitors or saints, is of great spiritual significance; however, it is currently facing contemporary challenges, such as ethnic diversity and generational shifts. Betulungan, a native term that signifies cooperation and communal assistance, is the foundation of the Haul's prosperity in Samarinda. Betulungan's role in fostering collaboration among women from various ethnic backgrounds—Javanese, Banjar, Kutai, and Dayak—who are involved in the administration and maintenance of the Haul is further clarified in this study. The research employed a case study methodology, utilising data collected from five key informants chosen for their substantial contributions to the organization of the Haul within their communities. The neighborhood leader, a critical participant in organising community events, is identified as a key informant because he fosters collaboration and ensures inclusion in this multiethnic environment. The research, conducted through participant observation and exhaustive interviews, illustrates how Betulungan is a conduit for bridging ethnic divides and promoting interethnic collaboration in preparing food, rituals, and logistics for the Haul. The data indicate that Betulungan fosters a collaborative environment where women, regardless of ethnicity, unify to achieve a common spiritual goal, thereby preserving the Haul heritage and enhancing social cohesiveness. In response to the socio-cultural dynamics of a modernizing, multiethnic Samarinda, the Haul heritage has continued to evolve, with the culture of mutual assistance being crucial to its preservation. The research improves understanding of the substantial role those local cooperative behaviors play in conserving cultural and religious traditions among various groups. Talenta Publisher 2024-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/15860 10.32734/ijcas.v8i2.15860 International Journal of Culture and Art Studies; Vol. 8 No. 2 (2024): International Journal of Culture and Art Studies (IJCAS); 91-98 2654-3591 2623-1999 10.32734/ijcas.v8i2 eng https://talenta.usu.ac.id/ijcas/article/view/15860/7919 Copyright (c) 2024 Sunardi, Desy Rusmawaty, Muhammad Sultan https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/15889 2026-01-08T04:00:18Z ijcas:ART driver

Horizon of Expectation of Mandarin Students Towards the Novel Huo Zhe (活着): Literary Reception Approach Erwani, Intan Julina literary reception horizon of expectation chinese literature Huo Zhe Yu Hua This study discusses the horizon of expectations of the students in the novel Huózhe (活着) by Yu Hua. This research aims to measure the horizon of expectations that readers have regarding the ideas conveyed by the novel Huo Zhe (活着), so it is hoped that this can contribute to the development of literary reception theory. The theory used is the literary reception theory which focuses on exploring the form of a horizon of expectation, so that the presence of a literary work can be accepted in society. The methodology used is qualitative descriptive method as a basis for determining variables, problem formulation, data collection techniques, data classification and data analysis. The research informants were 35 students majoring in the Mandarin Language from 6th and 8th semesters who had taken the concentration in literature. Informants will be asked to read Yu Hua's novel Huózhe (活着) and provide their responses through a questionnaire. The results of this study indicate that the novel Huózhe (活着) fulfils the 3 criteria carried in the Jauss theory, namely the values depicted in the text, the knowledge and experience of the readers, and the conflict between fiction and reality. Thus, it can be concluded that the reading informants from the 6th and 8th-semester students majoring in Chinese accept the novel Huózhe (活着) positively, The results of acceptance positively influence new views that are built into the reader's horizon of expectations in interpreting the meaning of the ideas conveyed by the novel. Talenta Publisher 2024-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/15889 10.32734/ijcas.v8i1.15889 International Journal of Culture and Art Studies; Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS); 16-26 2654-3591 2623-1999 10.32734/ijcas.v8i1 eng https://talenta.usu.ac.id/ijcas/article/view/15889/7340 Copyright (c) 2024 Intan Erwani; Julina https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/16406 2025-08-09T13:46:39Z ijcas:ART driver

Windows of Insight: A Review on Stained Glass Research Trends Leong, Kelvin Sung, Anna Stained glass Bibliography analysis Interdisciplinary research History Scopus This study uses Scopus data from 1855 to 2023 to examine key trends and developments in stained glass research, showing a notable increase in academic work after 2000. This growth is linked to advances in digital technology and wider global access, allowing for interdisciplinary research combining materials science, engineering, and cultural studies. New technologies, such as hyperspectral imaging and laser cleaning, have significantly improved conservation methods. The study also shows an increasing contribution from the United States, alongside the continued leadership of Europe, with more diverse sources of funding reflecting global investment in stained glass research. By offering a comprehensive, long-term analysis, this review fills gaps in previous studies by addressing the lack of integrated research across different fields and regions. It provides useful insights for future research, policy-making, and conservation efforts, highlighting the global importance of stained glass. The findings emphasize its continuing relevance to art, technology, and cultural heritage preservation. Talenta Publisher 2024-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/16406 10.32734/ijcas.v8i2.16406 International Journal of Culture and Art Studies; Vol. 8 No. 2 (2024): International Journal of Culture and Art Studies (IJCAS); 74-90 2654-3591 2623-1999 10.32734/ijcas.v8i2 eng https://talenta.usu.ac.id/ijcas/article/view/16406/7918 Copyright (c) 2024 Kelvin Leong, Anna Sung https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/16654 2025-08-09T13:46:39Z ijcas:ART driver

Technology-Enhanced Art and Sustainable Discourse Practices Zaeri, Parisa Roozafzai, Zahra Sadat Technology-Enhanced Art Discourse Analysis Sustainable Discourse Practices Social Connection, Cultural Sensitivity Digital Age This study explored the potential of technology-enhanced art in fostering sustainable discourse practices and social connection in the digital age. As technology advances, new opportunities emerge to integrate digital tools into creative practices, particularly in the realm of art. By examining the intersection of art, technology, and discourse analysis through a sustainability lens, this research aims to uncover innovative approaches to promoting effective communication, civic engagement, collaboration, intercultural understanding, empathy, and resilience incorporating co-design processes, shared decision-making, or collaborative art-making activities. The study provides an overview of technology-enhanced art practices including social media, virtual reality, interactive installations, and digital storytelling tools, and their impact on discourse practices within diverse socio-cultural contexts. It investigates the role of digital platforms and creative processes in facilitating social connection through discourse. The research focuses on a thematic approach to technology-enhanced art interventions that promote sustainable discourse practices and social connection. Through a thematic and intervention-based approach, this research combines a review of current literature with case studies showcasing the successful implementation of technology-enhanced art interventions. So the current study argues that technology-enhanced art holds significant potential for fostering sustainable discourse practices and social connection in the digital age. By harnessing the power of digital tools and creative processes in an environmentally conscious manner, artists, educators, and practitioners can support social connections. This, in turn, contributes to personal, social, and environmental resilience in a rapidly evolving technological landscape. Talenta Publisher 2024-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/16654 10.32734/ijcas.v8i2.16654 International Journal of Culture and Art Studies; Vol. 8 No. 2 (2024): International Journal of Culture and Art Studies (IJCAS); 109-120 2654-3591 2623-1999 10.32734/ijcas.v8i2 eng https://talenta.usu.ac.id/ijcas/article/view/16654/7921 Copyright (c) 2024 Parisa Zaeri, Zahra Sadat Roozafzai https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/16747 2025-08-09T13:46:39Z ijcas:ART driver

Organological Study of Canang Kayu in Aceh Singkil Purba, Junaidi Purba, Mauly Lubis, Tasnim Canang kayu Aceh Singkil Playing technique This study aimed to describe the organological aspects of making and playing the Canang kayu (wooden canang) instrument. Canang kayu is one of the local musical instruments from Aceh Singkil Regency. It is included as a percussion instrument and classified as an idiophone (a solid musical instrument whose sound comes from the instrument itself). This musical instrument is a form of xylophone (a percussion instrument consisting of a series of wooden blocks placed horizontally and struck with a unique beater). A qualitative method was applied in this study. Data were collected through observation participation, literature studies, and interviews with the Canang kayu makers, Canang kayu players, and staff in Majelis Adat Aceh Singkil (Aceh Singkil Traditional Council). The data source was pictures of Canang kayu and interview recordings with informants. The result of the study showed that the primary raw materials for canning kayu are bamboo and tree wood/Terentang putih tree (local people also call it cupping wood). Terentang putih tree (Campnosperma auriculatum) is a type of tree that grows in swamps. This tree can be found near Aceh Singkil forest. It is pretty difficult to find at present. The material for making Canang kayu should consider the size, tool used, raw material, and the making process. For playing technique, Canang kayu can be played by placing it on feet or a container. The Canang kayu instrument has a strong relationship with maintaining its material and local knowledge of making concepts that seize the cultural values of the Aceh Singkil people. It can be concluded that the making and playing technique is an effort to preserve one of Aceh Singkil's cultural heritages toward the identity and important insights in enriching knowledge about Canang kayu as an Aceh Singkil traditional art. Talenta Publisher 2024-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/16747 10.32734/ijcas.v8i2.16747 International Journal of Culture and Art Studies; Vol. 8 No. 2 (2024): International Journal of Culture and Art Studies (IJCAS); 99-108 2654-3591 2623-1999 10.32734/ijcas.v8i2 eng https://talenta.usu.ac.id/ijcas/article/view/16747/7920 Copyright (c) 2024 Junaidi Purba, Mauly Purba, Tasnim Lubis https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/16989 2026-01-08T04:00:18Z ijcas:ART driver

Exploring the Linguistic Landscape of Public Elementary Schools in Medan: Understanding Forms and Functions Gapur, Abdul Taulia Wardana, Muhammad Kiki Schoolscape linguistic landscape public elementary school Medan The linguistic landscape, or "schoolscape," in public elementary schools in Medan, Indonesia, is a relatively new area of study in linguistics. This descriptive qualitative research explores language use within the school environment, considering its social and cultural aspects. The study aims to analyze the linguistic forms, usage, and functions present in the linguistic landscape of these schools. Data from photographs capturing linguistic units was collected from four public elementary schools in Medan. This study employed systematic sampling, specifically purposive sampling, to select public elementary schools in Medan based on criteria related to the city's main areas with diverse linguistic units. The findings reveal various linguistic forms, including acronyms, words, phrases, sentences, and monolingual and bilingual texts. Language within the linguistic landscape serves informational and symbolic functions, providing information to readers and reflecting the relationship between language and power through linguistic signs associated with local leaders. While Indonesian is the dominant language used, there is a lack of representation of specific ethnic or cultural identities. The findings have global implications, revealing language's role in education and its impact on social and cultural dynamics. Understanding linguistic forms, usage, and functions provides valuable insights for education policies promoting language diversity, skills, and cultural inclusivity. The study suggests enriching the linguistic landscape by considering the use of local or minority languages existing in the region. This study contributes to understanding linguistic landscapes in Indonesian schools and highlights the importance of incorporating diverse languages to promote language proficiency and cultural preservation. Talenta Publisher 2024-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/16989 10.32734/ijcas.v8i1.16989 International Journal of Culture and Art Studies; Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS); 55-73 2654-3591 2623-1999 10.32734/ijcas.v8i1 eng https://talenta.usu.ac.id/ijcas/article/view/16989/7479 Copyright (c) 2024 Abdul Gapur, Taulia, Muhammad Kiki Wardana https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/17031 2025-10-27T06:48:36Z ijcas:ART driver

Students’ Language Attitude of SMP Hikmatul Fadhillah Medan towards English Eliza, Nur Sibarani, Robert Pujiono, Mhd. Affective Cognitive Conative English Language Attitudes The research aims to analyze the language attitudes of SMP Hikmatul Fadhillah (Hikmatul Fadhillah Junior High School) Medan students towards English based on attitude components. Data was taken from students of grade VIII, with 28 students selected from four different classes and seven randomly chosen from each class using random sampling techniques. The selection process involved teachers as informants based on students' relatively better English proficiency, identified through classroom observations. The study employs a qualitative descriptive method with data collected through observation and interviews based on techniques proposed by Miles, Huberman, and Saldana. The results show that students generally exhibit positive attitudes toward English. Cognitively, they recognize its importance for future opportunities such as education, career, and global access to information. Effectively, they view English proficiency as a source of pride, and conatively, they show a strong desire to improve and frequently use English, supported by school regulations. However, despite these positive tendencies, some students experience negative feelings, including pressure and low self-confidence, particularly when facing challenges with English grammar. These mixed responses highlight the complexity of student attitudes toward English learning. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/17031 10.32734/ijcas.v9i1.17031 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 73-80 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/17031/8752 Copyright (c) 2025 Nur Eliza, Robert Sibarani, Mhd. Pujiono https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/17234 2025-04-30T01:12:47Z ijcas:ART

oai:pub.talenta.usu.ac.id:article/17804 2025-11-01T16:25:46Z ijcas:ART driver

An overview of Chinese and Indonesian adjective predicate to deepen understanding and translation Trihardini, Ayu Contrastive Analysis Adjective Predicate Sentence Chinese Indonesian Predicates are considered the center of sentences, and understanding them will help students understand the meaning of various utterances. A contrastive study between languages helps to understand the target language being studied. However, research on the contrast of Chinese and Indonesian predicates has not received enough attention. This paper focuses on a contrastive analysis of Chinese and Indonesian adjective-predicate sentences, namely the syntactic units that form the predicate and the related grammatical rules. The data in this study were Chinese and Indonesian adjective-predicate sentences from short stories, novels, and associated grammatical works. The data obtained were then analysed using the procedure described by James and the contrastive analysis method by Di Pietro. The results of the study show that Chinese and Indonesian predicates are similar in definition, but differ in the internal structure. The fundamental difference is that bare adjectives in Chinese sentences are used only in comparative contexts. In addition, some Indonesian adjective-predicate sentences must be added with “adalah” or demonstrative pronouns between the subject and predicate. While the equivalent in Mandarin is the verb “shi”, and sentences whose predicates are added with verbs will become verbal sentences. These findings will undoubtedly contribute to the understanding of Chinese language learners from Indonesia and are expected to provide input and references in the field of translation. Talenta Publisher 2025-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/17804 10.32734/ijcas.v9i1.17804 International Journal of Culture and Art Studies; Vol. 9 No. 2 (2025): International Journal of Culture and Art Studies (IJCAS); 90-103 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/17804/9426 Copyright (c) 2025 Ayu Trihardini https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/18052 2025-08-09T13:46:39Z ijcas:ART driver

Code-Mixing and Code-Switching in the TV Culinary Show MasterChef Indonesia Yusuf, Muhammad Gapur, Abdul Indonesian Language Indonesian Culinary Public Television Space Code-Mixing Code-Switching This research examines the linguistic phenomena of code-mixing and code-switching in Indonesian culinary television programs, focusing on MasterChef Indonesia Season 11. The research identifies the forms of code-mixing, which include inner, outer, and hybrid mixing of languages, as well as different types of code-switching, such as tag switching, inter-sentential switching, and intra-sentential switching. The factors influencing these language shifts include globalization, the influence of foreign cultures, the need for commercial appeal, limitations in Indonesian vocabulary, and the communication habits of individuals in the culinary media. The research reveals that foreign terms, especially English, are commonly used in culinary contexts to describe techniques, ingredients, and concepts without direct Indonesian equivalents. While the use of foreign languages can enrich the Indonesian vocabulary and aid in adapting modern concepts, concerns arise regarding the erosion of the purity of Indonesian and its shifting status concerning global languages. The study underscores the importance of strategic measures for language preservation, including promoting awareness of linguistic identity and enforcing policies that ensure proper Indonesian use in mass media. The findings contribute to a deeper understanding of language dynamics in public television and its potential impact on developing and preserving Indonesian as the national language. Talenta Publisher 2024-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/18052 10.32734/ijcas.v8i2.18052 International Journal of Culture and Art Studies; Vol. 8 No. 2 (2024): International Journal of Culture and Art Studies (IJCAS); 121-128 2654-3591 2623-1999 10.32734/ijcas.v8i2 eng https://talenta.usu.ac.id/ijcas/article/view/18052/7965 Copyright (c) 2024 Muhammad Yusuf, Abdul Gapur https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/18096 2025-04-30T01:12:47Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/18096 2025-10-27T06:48:36Z ijcas:ART driver

Gondang Mandudu: The Ritual of Rejecting Disasters During the COVID-19 Pandemic in Samosir Regency Pane, Sastra Gunawan Purba, Mauly Surbakti, Asmyta Gondang Mandudu COVID-19 Batak Toba Rejecting Disasters This study explores the Gondang Mandudu ceremony, a sacred ancestral ritual in the Batak Toba community, specifically practiced to ward off the threat of COVID-19. Conducted by the Ruma Parsaktian Ompung Raja Isumbaon Community, this ceremony features the unique phenomenon of playing gondang sabangunan for approximately one hour, which is believed to invoke spiritual protection. This research aims to provide a descriptive account of the ceremony and understand its objectives in the context of the COVID-19 pandemic. Primary data was gathered through direct field research using a qualitative descriptive method, and secondary data from academic books and articles was added to the primary data. This triangulation-validated data ensured that the secondary sources and field observations were consistent. The findings highlight the significance of the ritual in the cultural and spiritual context of the community, showcasing its role in invoking protection from misfortune. This study contributes to the understanding of indigenous responses to global health challenges. It offers insights into the cultural significance of traditional rituals in modern times. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/18096 10.32734/ijcas.v9i1.18096 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 21-32 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/18096/8701 Copyright (c) 2025 Sastra Gunawan Pane, Mauly Purba, Asmyta Surbakti https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/18134 2025-11-03T04:04:24Z ijcas:ART driver

The ratib samman ritual and its social function in the Sei Paham community, Sei Kepayang district Harahap, Rahma Hayati Wijaya, Audey Ichwan Faried Religious Ritual Ratib Samman Community Sei Paham Social Function The Ratib Samman ritual is a highly popular tradition among the people of Sei Paham, Sei Kepayang District, and it has socially important functions. The purpose of this research is to reveal the social function of the Ratib Samman Ritual of Sei Paham Community, Sei Kepayang District. This research method is qualitative with data collection techniques through interviews, observations and document studies. Research activities are directed to find social facts that are happening in accordance with existing reality. The results of the study show that the community does not know when this ritual is interpreted as a practice of zikr and to get closer to oneself. Zikr as a Religious Tradition and Art in Sei Kepayang Village. The social function of the Ratib Samman ritual is as a form of solidarity and social integration, as well as a means of overcoming various problems that arise in the form of epidemics or diseases, famine, crime, and disturbances from supernatural beings. Talenta Publisher 2025-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/18134 10.32734/ijcas.v9i2.18134 International Journal of Culture and Art Studies; Vol. 9 No. 2 (2025): International Journal of Culture and Art Studies (IJCAS); 110-116 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/18134/9441 Copyright (c) 2025 Rahma Hayati Harahap, Audey Ichwan Faried Wijaya https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/18675 2025-10-27T06:48:36Z ijcas:ART driver

Integration of Kejawen Moralistic Values in Javanese Traditional Houses Towards Communal Living in Malaysia Ismail, Alice Sabrina Kejawen Values Javanese Culture and Belief Malaysia Traditional Javanese House The migration of Javanese people from Indonesia to Malaysia from the early 14th century to the 19th century due to trading and maritime activities resulted in the integration of Kejawen values -Javanese philosophical tradition in the local Malaysian context involving language, customs, and the built environment. Even though the Kejawen influences are not directly widespread despite its Hinduism and Buddhist traditions, and given Malaysia's distinct Malay-Muslim identity, the Kejawen values still influence the Javanese community's cultural practices, particularly in local Malaysian traditional ceremonies, art, and customs. Henceforth, this study's objectives, firstly, aim to identify these Kejawen characteristics, precisely the attributes of Javanese architecture, and analyse to what extent the level of Kejawen value influences the Javanese traditional house in Johore, Malaysia, after the assimilation process with the local context. The sample of Javanese houses in the Johore state was selected because their most populated community still upholds the Kejawen values and traditions. The methodology used in this study is the qualitative descriptive method under the interpretivism paradigm, which aligns the semiotics and hermeneutics methods to understand the symbolic meaning of the architectural elements. The study findings conclude that there was an assimilation process between the authenticity of Kejawen Javanese belief values and its symbolic influence on the local Malay architecture in Malaysia, which is found in the form comprising setting and location, scale and size, façade, structure, and ornament, whilst space-making involves access, circulation, hierarchy and function of the traditional houses. In this way, the traditional Javanese house becomes a living embodiment of Kejawen values, whether in its original built form or having undergone assimilation. This contributes to transnational dimensions of Kejawen values in fulfilling Malaysia's communal life in various dimensions—social, environmental, and spiritual- to achieve better living in contemporary society. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/18675 10.32734/ijcas.v9i1.18675 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 39-63 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/18675/8718 Copyright (c) 2025 alice sabrina ismail https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/18675 2025-04-30T01:12:47Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/18772 2025-10-27T06:48:36Z ijcas:ART driver

Exploring Religious Change: The Baduy Tribe’s Perspective on Leaving Sunda Wiwitan for Islam Fadliansyah, Fauzi Maksum, Arifin Nurhanasah, Nina Suku Baduy Islam Sunda Wiwitan This research examines the religious transformation within the Original Baduy community, focusing on how individuals perceive and experience the shift from the traditional Sunda Wiwitan belief system to Islam. It explores the perspectives of both those who continue to uphold ancestral beliefs and those who have embraced Islam, aiming to understand how this transition is interpreted and negotiated within the cultural and social context of the Baduy people. Utilizing a qualitative research approach, the study involves in-depth interviews, observation, and document analysis. Triangulation of data from multiple sources and theoretical frameworks ensures the credibility and depth of findings. The analysis draws upon theories of religious conversion, identity formation, and cultural continuity to offer a comprehensive understanding of the transformation process. The findings indicate that the change in religious orientation does not cause significant conflict within the community. Instead, peaceful coexistence is maintained between followers of Sunda Wiwitan and Muslim Baduy members, rooted in shared kinship values, strong customary laws, and a deeply ingrained culture of tolerance. Religious conversion is often influenced by intermarriage, social interaction, exposure to Islamic teachings, and personal spiritual development. Importantly, cultural traditions such as rituals and community ceremonies continue to be upheld by both religious groups, reflecting a form of spiritual syncretism and mutual respect. The study highlights how the Baduy people manage religious plurality while preserving community unity and cultural identity. It contributes to broader discussions on indigenous religions, religious change, and interfaith harmony in traditional societies, offering valuable insights into how cultural resilience supports peaceful religious transitions. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/18772 10.32734/ijcas.v9i1.18772 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 33-38 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/18772/8717 Copyright (c) 2025 Fauzi Fadliansyah, Arifin Maksum, Nina Nurhanasah https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/18772 2025-04-30T01:12:47Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/18819 2025-08-09T13:46:39Z ijcas:ART driver

Cultural Sustainability Analysis of 12 Coastal Tourism Destinations in North Jakarta Kartika, Dewi Gita Ismayanti Djamhur, Ina Gandawati Sustainable Tourism Cultural Policy Travel-Pattern Maintaining culture so that it remains sustainable is everyone's responsibility, because the identity of a nation can be seen from the culture. This descriptive research aims to analyze the cultural sustainability of 12 coastal tourism destinations in North Jakarta, by assessing the protection of cultural heritage and visits to cultural sites. With a quantitative approach and employing scoring analysis techniques, data were collected through observations and Focus Group Discussions (FGDs) with key informants from the 12 coastal tourism destinations in North Jakarta. The results of this study identified Tanjung Priok, Suaka Marga Satwa, Sunda Kelapa and Ancol Area are sustainable because both destinations have implemented protection of cultural assets and intangible heritage well, otherwise Bahtera Jaya Yacht Club is unsustainable because of poor management and changes in the structure of cultural heritage buildings. It is hoped that this research will be useful for further researchers and stakeholders in making policies related to cultural sustainability in Indonesia, especially North Jakarta. Talenta Publisher 2024-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/18819 10.32734/ijcas.v8i2.18819 International Journal of Culture and Art Studies; Vol. 8 No. 2 (2024): International Journal of Culture and Art Studies (IJCAS); 129-136 2654-3591 2623-1999 10.32734/ijcas.v8i2 eng https://talenta.usu.ac.id/ijcas/article/view/18819/7998 Copyright (c) 2024 Dewi Gita Kartika, Ismayanti, Ina Gandawati Djamhur https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/19873 2026-04-30T01:30:46Z ijcas:ART driver

Formant analysis of single vowels in Mandarin spoken by Chinese female speakers Berutu, Elvi Jesica Febrina, Wardani Tengku Syarfina Jelly Prima Silaban Mandarin Single Vowel Phonetics Praat Acoustic Formant Measurement This study aimed to investigate the formant measurement of single vowel sounds in the Mandarin spoken by Chinese female speakers. This study employed the audio method. The data were collected from five Chinese female speakers after receiving instructions on the purpose of recording the Mandarin words ending in 7 distinct vowels: a[A], o[o], e[ɣ], ê[ɛ], i[i], u[u], and ü[y]. The audio were directly recorded into the computer, assigning a single file to each set of words from the sources. We used Praat software to extract the first (F1) and second (F2) formants from the data. Presenting the results in the form of numerical tables. The study's findings indicate a significant difference in their voice quality, despite the fact that they are all Chinese. Specifically, they produced the highest formant value for the single vowel [A] in the word "pà," and the longest duration for a Chinese female's pronunciation of the single vowel /o/ was 0.438750 seconds in the word "bo." Meanwhile, the pitch score was lowest for both native speakers and is found in the single vowel /u/ in the word 须 "Xue." The effect of pitch errors is one factor that affects the resulting formant and duration value. Talenta Publisher 2026-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/19873 10.32734/ijcas.v10i1.19873 International Journal of Culture and Art Studies; Vol. 10 No. 1 (2026): International Journal of Culture and Art Studies (IJCAS); 11-19 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/19873/10021 Copyright (c) 2026 Elvi Jesica Berutu, Wardani Febrina, Tengku Syarfina, Jelly Prima Silaban https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/19979 2025-10-27T06:48:36Z ijcas:ART driver

An Analysis of Japanese Chouon Pronunciation Among Students of Deli Husada Health Institute Dila Fitria Dardanila Lubis, Tasnim Chouon Japanese language Praat Sound analysis This study aims to identify which long vowel sounds (chouon) in Japanese can be easily pronounced and which are difficult for the Deli Husada Institute of Health students in Deli Tua. This research method employs voice analysis using the Praat application to evaluate the students' pronunciation. Praat was used to analyze the duration, frequency, and intensity of participants' voices. The Praat application will record, segment, and analyze the students' voices. The data consists of voice recordings from the six participants when pronouncing vocabulary containing chouon sounds. The findings indicate that there are variations in errors in the pronunciation of certain vowels, such as the vowel /u/ in "yuumei," the vowel /e/ in "meishi" and "heiya," and the vowel /o/ in "ooku," among the students of the Deli Husada Institute of Health. Words with long sounds are also rarely pronounced correctly due to a lack of practice. Vocabulary such as "obaasan," "ojiisan," and "sakkaa" is more often pronounced correctly because they are frequently used in daily learning. Participants who allocated more time to study showed a higher degree of pronunciation similarity to native speakers. Overall, the frequency of usage and conversational learning significantly influence pronunciation ability. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/19979 10.32734/ijcas.v9i1.19979 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 81-89 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/19979/8760 Copyright (c) 2025 Dila Fitria, Dardanila, Tasnim Lubis https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/20146 2025-04-30T01:12:46Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/20146 2025-10-27T06:48:36Z ijcas:ART driver

Translanguaging in Religious Speech: Practices, Evaluation, and Perception Saragih, Erikson Junaid, Ayesha Hashim, Haida Umiera Gapur, Abdul Translanguaging Religious Speech Practice Evaluation Perception Few studies have examined translanguaging's uses in preaching, which is the field of religious communication, even though it has been widely studied in educational communication. The study aims to characterize, evaluate, and perceive the translanguaging practices in Sunday sermons using Simalungun, a traditional language in North Sumatra Province. The study used a descriptive qualitative method with a survey design. Sixty priests participated in the study as participants selected by using a purposive sampling technique. Simalungun language was chosen as the language of sermon delivery, and the research instrument was the Google Form platform. This study found that motivation to employ translanguaging is crucial for effective sermon delivery and understanding. This study examines the reasons for priests' use of translanguaging, including the predominant preaching genre, the language used, challenges encountered, and congregational perceptions. The findings of this study provide a comprehensive account of translanguaging in Simalungun sermons, perceptions of the translanguaging practices, and better comprehension of messages in the sermon as implications of the study.  The study suggests that additional research on the content of preaching in Sunday sermons be conducted using various analytical methodologies. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/20146 10.32734/ijcas.v9i1.20146 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 13-20 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/20146/8618 Copyright (c) 2025 Erikson Saragih, Ayesha Junaid, Haida Umiera Hashim, Abdul Gapur https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/20259 2025-10-27T06:48:36Z ijcas:ART driver

The Art of Laughter: Exploring Humor in Warkop DKI Reborn Sihombing, Lambok Hermanto Mise en Scene Movie Nostalgia YouTube The art of humor often leaves a lasting impression, especially when it connects to joyful memories. Nostalgia refers to a longing for the past, often tied to moments of laughter and happiness. This study analyzes Warkop DKI Reborn: Jangkrik Boss Part 1 as a modern reflection of nostalgia for the original Warkop DKI films, focusing on the humor that defined the series. The study also examines YouTube comments to understand how audiences perceive the film's humor. A qualitative approach is used, with data from Warkop DKI - Chips (1982) Full Movie on the @LetsuGauki YouTube channel and WARKOP DKI Reborn | Jangkrik Boss Part 1 | Kalau Mau Dosa Sekalian Banyak, uploaded by Falcon YouTube. The analysis draws on the theories of Nostalgia for the Present from Salmose (2019), Mise en Scene from Manon de Reeper (2016), and Media Studies from Ott (2014). The findings indicate that the characters, costumes, humor, and settings in both the original and reborn films evoke a deep sense of nostalgia among Indonesians, demonstrating how the art of humor continues to bridge generations and maintain cultural relevance. Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/20259 10.32734/ijcas.v9i1.20259 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 1-12 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/20259/8617 Copyright (c) 2025 Lambok Hermanto Sihombing https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/20259 2025-04-30T01:12:45Z ijcas:ART driver

oai:pub.talenta.usu.ac.id:article/20265 2025-04-30T01:12:45Z ijcas:ART

oai:pub.talenta.usu.ac.id:article/20265 2025-10-27T06:48:36Z ijcas:ART driver

Intonation and Intensity of President Joko Widodo's Speech Erwina, Emmy Alvy Mawaddah Wardana, Muhammad Kiki Intonation Intensity Speech President Joko Widodo Praat This study aims to investigate the prosody of speech by the head of state related to the answer to the question that has recently gone viral and trending is President Jokowi's speech answer to the question on YouTube, with the title "Why the Capital City Not Move to Papua?". The head of state of the Republic of Indonesia (Joko Widodo) used data in the form of speech related to the conversation.  The utterances were obtained from a video titled "Why the Capital City Did Not Move to Papua? Moreover, it is downloaded from YouTube. Then, the data is selected from several sentences President Joko Widodo spoke. The voice data will be extracted and coded at the analysis stage using Praat 6.0.54 (1). This research was conducted because, until now, the study of acoustic phonetics has rarely been done. On the other hand, phonetic descriptions, especially acoustic phonetic descriptions, namely the intonation and intensity of President JokoWidodo's speech, are important to study. The purpose of this study is to physically document sound, preservation, teaching, and language dignity in the midst of the symptoms of language shift. This study is an effort that is in line with the scientific aspects of phonetics and maintaining language heritage in terms of speech. This study's results prove differences in acoustic values in the measurement results of the data "Jokowi's Answer Asked by Elementary School Children Why the Capital City is Not in Papua" on the VIVA.CO.ID YouTube account. All acoustic features were measured, namely frequency, duration, pressure, and intensity. From the analysis results, it can be concluded that the resulting tone contour shows two patterns: the rising and descending patterns. The rising pattern at the end of the utterance indicates that the utterance is unfinished, while the falling pattern at the end explains that the utterance's intonation is final. In addition, there are many increases in frequency and intensity in the data, where the increase mostly occurs when Mr. Jokowi mentions the words "Papua," "Aceh," "Sabang," "Marauke," "Capital," "North," "South," "Gitu," and "Yes." Talenta Publisher 2025-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/20265 10.32734/ijcas.v9i1.20265 International Journal of Culture and Art Studies; Vol. 9 No. 1 (2025): International Journal of Culture and Art Studies (IJCAS); 64-72 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/20265/8738 Copyright (c) 2025 Emmy Erwina, Alvy Mawaddah, Muhammad Kiki Wardana https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/20877 2025-11-01T16:25:46Z ijcas:ART driver

Changes in the structure and style of gondrang in Simalungun musical tradition Nelson, Ricky Gondrang Structure Musical Change Simalungun Tradition Style Gondrang is one of the most important musical ensembles in the Simalungun tradition, originally serving as sacred accompaniment in ritual contexts, particularly funerary ceremonies. Previous studies have largely focused on the social and cultural transformations of Gondrang, while the specific changes in its musical structure and style have not been analyzed in depth. This study aims to describe and analyze the internal musical changes of Gondrang, including its instrumentation, rhythmic organization, ensemble formation, melodic orientation, ornamentation, and performance expression. Employing a qualitative ethnomusicological approach, the research is based on observation of performances, interviews with musicians and cultural elders, and audio-visual documentation. The results show that Gondrang has experienced structural changes such as the addition of modern instruments and flexible ensemble settings, and stylistic changes including faster tempos, melodic expansion, ornamented improvisation, and more expressive performance gestures. Despite these changes, core rhythmic patterns and symbolic identity have been preserved. This study contributes to ethnomusicology by highlighting the internal dynamics of musical change, showing how Gondrang adapts to modern contexts while maintaining its cultural essence. Talenta Publisher 2025-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/20877 10.32734/ijcas.v9i2.20877 International Journal of Culture and Art Studies; Vol. 9 No. 2 (2025): International Journal of Culture and Art Studies (IJCAS); 132-138 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/20877/9442 Copyright (c) 2025 Ricky Nelson https://creativecommons.org/licenses/by-sa/4.0

oai:pub.talenta.usu.ac.id:article/20878 2025-11-02T11:42:44Z ijcas:ART driver

The dynamics of the development of canang kayu musical instruments in the Aceh Singkil community Purba, Junaidi Sebayang, Vanesia Amelia Hennywaty, Yusnizar Canang Kayu Dynamics Aceh Singkil Community Local Culture This study discusses the dynamics of the development of canang kayu musical instruments in the Aceh Singkil community. Canang kayu, which initially served as a traditional musical instrument in rituals and religious activities, has undergone changes in form, function, and context of use over time. Using a descriptive qualitative approach through observation, interviews, and documentation, this study was analyzed based on Herkovits' Theory of Change. The results of the study indicate that the Canang Kayu musical instrument has undergone changes in its aesthetic subjects, objects, and ethics. These changes can be seen in the number of notes and in the player's position at formal events and traditional ceremonies. Despite the changes, Canang Kayu continues to uphold the values of local culture and the identity of the Aceh Singkil community. Talenta Publisher 2025-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article application/pdf https://talenta.usu.ac.id/ijcas/article/view/20878 10.32734/ijcas.v9i2.20878 International Journal of Culture and Art Studies; Vol. 9 No. 2 (2025): International Journal of Culture and Art Studies (IJCAS); 104-109 2654-3591 2623-1999 eng https://talenta.usu.ac.id/ijcas/article/view/20878/9427 Copyright (c) 2025 Junaidi Purba, Vanesia Amelia Sebayang, Yusnizar Hennywaty https://creativecommons.org/licenses/by-sa/4.0 48e336344bdc5492fc1705a44f6d49bb