International Journal Linguistics of Sumatra and Malay

Hegemonic Masculinity and Homosexuality in Contemporary Indonesian Motion Picture

2023-11-14T06:39:37+07:00

Homosexuality in Indonesia is examined in through its contemporary motion picture. The data for this study came from the motion picture named Arisan! released in 2003. This study incorporated Foucault's theory of sexuality as a social construction, Connell's Hegemonic Masculinity, and A,J Greimas’ Narrative Structuralism . Numerous findings can be found in the research, including the actantial model and functional model of the story in Arisan!. Additionally, this research discovered that homosexuality in Indonesia is subordinated.

Indonesian Local Literary Rituals in Magical Realism

2023-11-14T07:27:58+07:00

This study aims to find magical realism in the Bantengan performance, find namely the irreducible elements, the phenomenal world, merging realms, the unsettling doubts, and disruptions of time, space, and identity at the Bantengan show. The method used to reveal these aspects is a qualitative method with an ethnographic approach. Theoretically, this research finds magical realism. Practically for researchers, this research is expected to broaden scientific horizons and can be used as a guide to carry out research, especially about traditions that develop in society. For the community, this research is expected to provide an overview of the actual Bantengan performance and provide knowledge to the public that the art of Bantengan contains the meaning of a performance that contains the value of magical realism. The results of this study: 1. The irreducible elements namely Cakepan in the art of bantengan are read as if telling the figure of a bull in the performance arena, furthermore it is used as advice and a medium for conveying messages to the public. 2. the phenomenal world, namely the movements in the Banteng symbolizing the life of the Banteng animal as an authoritative and strong base or forest animal, 3. merging realms, namely between types of religious magical beliefs and Islam there is a harmonious blend, as seen by the reading of prayers that derived from the verses of the Koran at the ceremony, 4. the unsettling doubts, namely the public's belief is still visible in the giving of offerings or offerings before holding a bantengan presentation, 5. disruptions of time, space and identity namely Bantengan and ndadi being one of the elements of the show that cannot be separated, so that it becomes a special attraction for the community.

Representation of Emotion in Conceptual Metaphor With Food Lexicon in Japanese Language

2023-11-14T07:42:50+07:00

Human communication has linguistic variations. One of which is at the semantic level. Humans may produce meanings to express emotions. Besides denotative, connotative meaning is often present formed through metaphor. Metaphors are human creativity result based on cognitive processes adapted from sensory receptive results and meaning comparisons determined by surrounding objects. Food, one of the most familiar objects, can be a symbol of expression of an emotion. However, if a metaphor is not equipped with knowledge of meaning, then its delivery will not succeed. Therefore, this study is aimed to answer the problems of what Japanese metaphors related to food are found and how conceptual metaphors with food lexicon are formed. The primary data sources were the Weblio corpus and songs in Japanese. Secondary data sources were literatures supporting this study, namely the book 180 Common Native Japanese Figures of Speech in Regular Conversation from Sei (2018) and the Shin Meikai Kokugo Jiten Japanese dictionary. The data were collected through listening and documentation methods with note-taking technique. This study applied the metaphor identification theory of Knowles and Moon (2006) and the conceptual metaphor theory by Lakoff and Johnson (1980). The data collected were determined by vehicle, topic/tenor, and grounds to be further analyzed. Data analysis was conducted by descriptive-qualitative method. The results show that conceptual metaphors with the food lexicon in Japanese express the emotions of love, sadness, and fear. The representation of emotions in food is useful for providing easy understanding with everyday objects

Modulation Techniques in Translation of Critical Eleven by Ika Natassa

2023-10-09T09:55:23+07:00

The purpose of this study is to find out the types of modulation technique, to analyze the modulation technique works and the dominant type of modulation technique in the Critical Eleven novel by Ika Natassa. The method of this research was descriptive qualitative. Data were collected from sentences that consist of words, phrases, and clauses in the novel Critical Eleven as source of data. The findings of the study revealed that: (a) all the modulation techniques proposed by Vinay and Dalbernet (1995) were used in the Critical Eleven novel by Rain Chudori as the translator, which are: abstract for concrete, reversal of terms, negative contrary, part to whole, part another part, active for passive, space for time, intervals and limits, and change of symbol, (b) modulation techniques were used by changing the form or structure of a sentence without altering its meaning, and (c) there are two most dominant techniques in the novel, which are: abstract for concrete three data found and reversal of terms three data found.

Subordinative Construction of Tamiang Malay Language: Syntactic Typology Study

2024-01-07T08:08:43+07:00

This study aims to identify the syntactic typology of Tamiang Malay, focusing specifically on the co-referential patterns of grammatical relations to its arguments, including S, A and P in subordinative construction. This research is qualitative research. This study used a descriptive research design to investigate the syntactic typology of Tamiang Malay language. Data collection was conducted through a fieldwork in Tamiang Malay-speaking communities in Batu Lapan Sub-Village, Rantau Sub-District, Rantau Pauh Village, Aceh Tamiang District, Aceh Province, Indonesia. Tamiang Malay exhibits a unique syntactic structure that combines different types of clauses, including intransitive and transitive clause. The findings demonstrate the existence of several co-referential patterns, such as S = S, S = P, S = A, A = S, P = S, A = A, A = P, and P = A, within the combined clauses. The results of the research also show that Tamiang Malay exhibits a combination of accusative and ergative alignment patterns in its syntactic typology. In Tamiang Malay, the alignment pattern is primarily accusative, where the subject of an intransitive clause is marked the same way as the agent of a transitive clause, while the patient of a transitive clause is marked differently. However, Tamiang Malay also displays instances of ergative alignment that mark the subject of an intransitive clause the same way as the patient of a transitive clause, while the agent of a transitive clause is marked differently.